The artist Johanna Faust is about to leave her children to finally devote herself to her art again. A vague memory comes to her mind: Didn't her grandmother do the same thing, with terrible consequences? The intimate road movie tells of lost mothers and abandoned children, of the temptations and the price of self-fulfilment, of the abysses of motherhood and of the deep longing for another life.
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The Wolf Suit (2021)
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What The Durrells Did Next (2019)
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Wintopia (2019)
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.
My Brother the Terrorist (2014)
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Eric Carle, Picture Writer: The Art of the Picture Book (2011)
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Illuminated Lives: A Brief History of Women's Work in the Middle Ages (1989)
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The Changing Face Of Salford Collection (1970)
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Serial Killer Culture (2014)
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Paint Until Dawn: a documentary on art in the life of James Gahagan (2020)
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1997: The Birth of the Camera Phone (2017)
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A Life Like Any Other (2024)
Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.
Im Schatten des Apfelbaums (2019)
65 years of marriage, four systems, two people, one love: Ilse and Wolfgang Gutsche have gotten along well with each other their entire lives. And they would do it all again.
NDDJ (Notre-Dame-du-Jambon) (2022)
Karan and Rohan, two biracial brothers raised in a marginal environment, are finding ways to get stimulated on a normal summer day. They embark on a trip to buy candies to avoid boredom. This film plays with the sense of boundaries between what is real and what is fiction. It is a film about the love of two brothers and their singular reality in the countryside of Quebec.