Finding their place between the forest and the sea, the Japanese have always felt awe and gratitude toward Nature. Since ancient times, they have negotiated their own unique relationship with their natural surroundings. Acclaimed photographer Masa-aki Miyazawa discovered the essence of that ancient way of living in Ise Jingu, Japan’s holiest Shinto shrine. Inspired by the idea of sending a message to the future in the same way this ancient shrine keeps alive the traditions of the past, Miyazawa used an ultra-high resolution 4K camera to create a breathtaking visual journey linking the Ise forest with other forests throughout Japan.
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Where there are humans, are also ravens and crows. No animal knows us better.
Galapagos Suite (2017)
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A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
The Great North (2024)
Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.
Naqoyqatsi (2002)
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
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Ralph Erskine (1986)
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Bamboo Theatre (2019)
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Arcadia (2017)
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