Heleno has a disease unknown to most of the population. In the course of their suffocating routine, situations arise that defy the usual in society. But is it really Heleno's illness that prevents him from adapting to the world?
Islas en el Aire (NaN)
Martín, a fan of the UFO phenomenon, is making a documentary about his investigation of some sightings in his town. His research leads him on a dangerous and even stranger path.
Caddyshack: The 19th Hole (1999)
Behind-the-scenes documentary of the making of 'Caddyshack'. Among the people interviewed: producer Jon Peters, writer/director Harold Ramis, and players Cindy Morgan, Scott Colomby, Ann Ryerson, Hamilton Mitchell, and Chevy Chase.
F*ckin' Fred : Comme un Léopard (2025)
One of the most iconic characters of Jonathan Cohen, F*ckin' Fred, makes his return after being created in the 2020 Orelsan's Epilogue Tour where Jonathan was a surprise guest. This epic documentary will tell how F*ckin' Fred was created but also his journey through the first official Fuckin' Fred concert.
The Town That Cried Bigfoot (NaN)
In the bitter winter of 1978, four desperate council members from a small Virginia town hatched a daring Bigfoot hoax to save it from the brink of bankruptcy. But as the money grew, so did the greed-triggering the town's first unsolved murder.
A.B. (2023)
A documentary-style capturing of the life of Ab, a young struggling artist trying to find her way, all while dealing with unwanted company.
Soneriada 5: Crime and Punishment (2025)
Chronicles the events that lead to Charlie Charlison's untimely death employing a cinéma vérité approach.
Gia (1998)
Gia Carangi meteorically rises to modeling fame in the late 1970s but becomes overconsumed by persistent loneliness and drug addiction.
Faces of Death (1978)
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
Beauties of the Night (2016)
What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.
The Magician (2005)
Following the dealings of Melbourne-based hitman Ray as seen through the eyes of his ex-neighbour and friend Max, an Italian film student. Max and his camera witness Ray's work life as it unfolds from day to day, giving an insight into a world we rarely see, and at the same time developing an unusual friendship with his subject.
Elena (2021)
In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic's Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena, the young protagonist of the film, and her family stand to lose their legal residency in the Dominican Republic if they don't manage to get their documents in time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society around, Elena becomes the face of the struggle to remain in a country built on the labor of her father and forefathers.
Farce of the Penguins (2006)
In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?
Operación Palace (2014)
Finally, 33 years later, the whole truth behind the attempted coup d'état that shook Spain on the afternoon of February 23, 1981, is revealed by those who lived through those dreadful hours; a deep look behind the heavy curtain which hides the real mastermind, waiting to be unmasked.
India: Spreading Hate (2024)
Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.
Aro Tolbukhin in the Mind of a Killer (2002)
After a strict upbringing and the death of his beloved sister, Aro Tolbukhin leaves Hungary for Guatemala. Taken in as a political refugee at a mission, Aro grows close to Sister Carmen and becomes part of the community, but a series of misfortunes drive him to arson and murder. Now on death row, Aro is interviewed about his life and motivations by a film crew trying to understand what made him snap.
Girls State (2024)
What would American democracy look like in the hands of teenage girls? In this documentary, young female leaders from wildly different backgrounds in Missouri navigate an immersive experiment to build a government from the ground up.
Kenedi Goes Back Home (2003)
The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.