Since 2016, Xander De Rycke has been touring annually with 'Houdt het voor bekeken' (#HHVB), a comedy special about the past year in television and film in Flanders. Previous editions of HHVB focused on the future of Flemish media. Where are we headed? How far ahead are we compared to the rest, and where do we stand head and shoulders above the rest? HHVB 2018·2019 takes a different direction. Increasingly, film and television are treating us to that 'remember when?' feeling. Franchises are being rebooted, old celebrities are being brought back, and we also have to keep an eye on VTM's 30th anniversary. Was everything better in the past? Is there still room for originality? Or do Flemish people prefer to be wrapped in a blanket of nostalgia? We will discover this together and, above all, have a lot of fun in the fourth season of 'Xander De Rycke houdt het voor bekeken' (Xander De Rycke calls it quits)..
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Alex Agnew: Ka-Boom! (2006)
Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!
Xander De Rycke: Houdt Het Voor Bekeken 2015-2016 (2016)
Xander De Rycke has had enough. Comedian Xander De Rycke has a new project. The creator of the popular podcast "Mosselen om half twee" (Mussels at half past one) is releasing a special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program.
Theo Maassen: Ruwe Pit (1998)
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Theo Maassen: Tegen beter weten in (2006)
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
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