This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
You Can’t Watch This (2019)
Peer through the lens of a high profile political dissident, banished from the online world. After introducing the viewer to each of the five characters, the film recounts how each individual then came to lose their access to social media and the affect it had on them at the time, and since the event. With their stories told, they present the broader issues raised by their media de-platforming and what they foresee in their future in media and the whole of Western Culture at-large.
The Shape (2019)
A storm is on the horizon. When a jet-black cloud engulfs a small village, the residents discover that it could put an end to more than just blue skies.
Akihabara@DEEP (2006)
Set in Tokyo's otaku mecca Akihabara, "Akihabara@DEEP" tells the story of five otaku who drop out of society and end up founding their own successful IT venture called Crook. But Nakagomi, president of an influential electronics company called Digital Capital, will do anything to get his hands on Crook.
/IMAGINE (2023)
To explore themes of solitude and our artificial online existences, filmmaker Anna Apter created this short film with the sole assistance of AI tools and her dog.
Terror Studios (2016)
How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.
#AbroHilo (2019)
Humor shapes the way Spaniards interact on Twitter: all sorts of topics can be used to make a joke and many anonymous commentators can become celebrities and compete with professional comedians. But sometimes certain jokes that defy political correctness have a high price for those who dare to make them, jokes that can freeze the smiles of thousands of people whose prejudices can put an end to some very successful artistic careers.
Thirsty for Likes (2024)
From the outside, Diamond and Harmony are living the high life as influencers. What no one knows is what they’ve had to endure behind closed doors.
More Than Robots (2022)
More Than Robots follows four international teams of teenagers as they prepare for the 2020 FIRST Robotics Competition. Get to know competitors from Los Angeles, Mexico City and Chiba, Japan as they work towards the ultimate goal of taking their unique designs all the way to the highly competitive global championships. Along the way they must overcome challenges such as having limited resources or putting everything on hold because of the COVID pandemic. The kids persevere and learn that there is a lot more to the competition than just robots.
Sissy (2022)
Cecilia is a successful social media influencer living the dream, until she runs into her ex-childhood best friend and is invited away on her bachelorette weekend. Suddenly, Sissy finds herself stuck in a remote cabin with her school bully... and a taste for revenge.
Oleander (2019)
A seventeen year old sex-positive YouTuber starts a social media war against her Christian abstinence program.
The Codes of Gender (2010)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Full dekning (2022)
Seven long-time friends meet for dinner. They decide to share their text messages, emails and phone calls. Secrets are unveiled. Harmony trembles.
99 Francs (2007)
Paris, France, 2001. Octave Parango, a young advertiser working at the Ross & Witchcraft advertising agency, lives a suicidal existence, ruled by cynicism, irresponsibility and debauchery. The obstacles he will encounter in developing a campaign for a new yogurt brand will force him to face the meaning of his work and the way he manages his relationship with those who orbit around his egotistic lifestyle.
Saltburn (2023)
Struggling to find his place at Oxford University, student Oliver Quick finds himself drawn into the world of the charming and aristocratic Felix Catton, who invites him to Saltburn, his eccentric family's sprawling estate, for a summer never to be forgotten.
Adoration (2009)
For his French-class assignment, a high school student weaves his family history in a news story involving terrorism, and goes on to invite an Internet audience in on the resulting controversy.
First (2019)
A teen girl’s experiences online and IRL blur together in this quietly inventive short by Micaela Durand and Daniel Chew. Through an ingenious use of subtitles, Durand and Chew seamlessly toggle between the banalities of young life and the fizzy, yearning commentary running beneath those same experiences when shared online.
The Snow White Murder Case (2014)
Beautiful Noriko Miki works at a cosmetic company. One day, Noriko is murdered. People begin to suspect her co-worker Miki Shirono might have killed her. Television begins to cover her story. A TV show interviews Miki Shirono's colleagues, family, people from her hometown. Rumors turn into fear. Is she a wicked a woman?