
Distant Lights (2003)
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

Man of Marble (1977)
A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

Children of the Revolution (1996)
A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

Living in Oblivion (1995)
Low-budget independent filmmaker Nick Reve tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious beret-wearing director of photography, and lousy catering.

Lisbon Story (1994)
Wim Wenders' homage to Lisbon and films. A sound engineer obtains a mysterious postcard from a friend who at the moment is filming a film in Lisbon. He sets out across Europe to find him and help him.

Bad Education (2004)
An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.

By Player (2000)
The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

To Live and Die and Live (2025)
Muhammad returns home to Detroit to bury his stepfather and is thrust into settling his accounts, but Muhammad’s struggles with depression and addiction may finish him before he finishes the task.

Ulysses' Gaze (1995)
An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Radioland Murders (1994)
A series of mysterious crimes threatens the existence of a new radio network.

A Rainy Day in New York (2019)
Two young people arrive in New York to spend a weekend, but once they arrive they're met with bad weather and a series of adventures.

Paris When It Sizzles (1964)
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.

Final Cut (2022)
Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.

The Exterminating Angels (2006)
A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.

The Souvenir (2019)
A shy but ambitious film student falls into an intense, emotionally fraught relationship with a charismatic but untrustworthy older man.

The Souvenir: Part II (2021)
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction.

A Dirty Carnival (2006)
A small-time thug who collects debts for the local triad is torn between his criminal aspirations and his devotion to family.

State and Main (2000)
A movie crew invades a small town whose residents are all too ready to give up their values for showbiz glitz.

I Blame Society (2020)
A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film and committing the perfect murder.
Samba Chanson (2002)
Zé Rocha is a director trying to shoot his first film. He dreams of making a professional movie, and starts shooting in 35mm. But as his budget begins to fade, he changes to Black-and-White, then gradually down to 16mm, Super-8 and, in the end, to his despair, to the video format. With the help of Edna Marla, producer who is searching for the Holy Grail of a genuinely 100% Brazilian celluloid; Dona Martírio, his mother, former left-wing activist; Guará Rodrigues, an underground Brazilian movie star; and Lila Lessa, who stars in a 6 p.m. soap opera, they develop strategies and outlandish plans to win the insane battle of filmmaking in Brazil.