A series of suicides among youths who had to travel far from home to go to school, shocked their indigenous community in the Colombian Amazon. They are different cultures in the frantic friction of our time, it is a generation of young people born from the meeting of both cultures who are hanging before the mirages of a foreign world.
The Last Forest (2021)
In powerful images, alternating between documentary observation and staged sequences, and dense soundscapes, Luiz Bolognesi documents the Indigenous community of the Yanomami and depicts their threatened natural environment in the Amazon rainforest.
kid 90 (2021)
As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.
To Stay Alive: A Method (2016)
Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.
The Last Shaman (2017)
James, giving himself 12 months before he has "a license to kill himself," sets off to the Amazon rainforest with hopes of finding a shaman who can save his life.
Toroboro: The Name of the Plants (2024)
A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.
The Beksińskis. A Sound and Picture Album (2017)
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
Big River Man (2009)
Follows Martin Strel as he attempts to cover 3,375 miles of the Amazon River in what is being billed as the world's longest swim.
32 Pills: My Sister's Suicide (2017)
Traces the life and mental illness of New York artist and photographer Ruth Litoff, and her sister's struggle to come to terms with her tragic suicide.
Faces of Death III (1985)
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
Amazon (1997)
Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.
Permission to Exist (2020)
In just sixty years, South Korea went from being one of the poorest countries on the Asian continent to having the 12th largest economy in the entire world. Every year, it is measured that Korean students have some of the highest test scores and a higher rate of acceptance into Ivy League schools compared to all other nations. But on the flip side, South Korea also has one of the highest suicide rates in the developed world, the highest gender pay gap of all developed countries, and the highest plastic surgery rate per capita. Always expected to receive top scores and constantly bombarded by media and messages that seem to demand nothing short of visual “perfection,” how do these individuals come to accept and learn to love themselves as they are?
Faces of Death (1978)
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
Mio (2008)
Mio blir som barn skickad till Sverige för att tjäna ihop pengar till sin familj i Thailand. Men det går inte som föräldrarna planerat. Under tre år följer regissör Jonas Embring Mio och hans gäng på Henriksdalsberget utanför Stockholm. De lever i en hård vardag med kriminell identitet och våld. Till sist bestämmer sig Mio för att förändra sitt liv.
Our Children's River (2023)
Across the Amazon, Indigenous guards are unarmed patrols that peacefully defend ancestral territories against threats like oil, mining and poaching. They use diverse technologies to monitor their lands, and when necessary, force out illegal operations and actors. Most of this daily work, which involves lengthy hikes and patient observation, goes unseen. This film depicts the process of the Indigenous Guard: its patrols, its watchful vigilance over the landscape, and its support of the community. Their work as guards helps ensure that destruction in the Amazon doesn’t advance, and that their community has the vital space it needs to live life on their own terms.
The Lost Children (2024)
After a plane crash, four indigenous children fight to survive in the Colombian Amazon using ancestral wisdom as an unprecedented rescue mission unfolds.
The Death and Life of Marsha P. Johnson (2017)
Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.
Unarmed Verses (2017)
Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.
Iwianch, the Devil Deer (2021)
An enigmatic presence haunts the depths of the Amazon rainforest, where an indigenous Achuar teenager has disappeared. During the search for the young man, his family decides to consult with a Shaman, who, immersed in trance, reveals that the young man was taken by the devil, but that he has intervened by showing him the way back to his home. While waiting for his return, secrets of the rainforest and Amazonian visions of life after death are touched, vanishing the documentary filmmaker’s concepts of reality.