Legendary film editor and sound designer Walter Murch talks about his work and philosophy. (Based on over 50 hours of Murch's lectures, interviews, and commentaries.)
A. K. (1985)
An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.
Last Year in Dachau (2020)
Near Munich, in Bavaria, Germany, is the Schleißheim Palace, where French filmmaker Alain Resnais shot his film Last Year at Marienbad in 1960. Nearby is the Dachau concentration camp, where thousands of people were killed between 1933 and 1945. An essay about the present and the past, beauty and horror, life and death.
The Fire Rises: The Creation and Impact of The Dark Knight Trilogy (2013)
This feature-length documentary delves into the trilogy, opening with the inspiration and vision for the new Batman films and inching its way toward the Rises finale and the culmination of nearly a decade of creative blood, sweat and tears. Candid, thoughtful and extensive, and comprised of revealing behind-the-scenes footage, countless interviews, audition tapes (with Christian Bale and Cillian Murphy doning the cape and cowl), and a narrative grip and momentum all its own, it leaves no stone unturned.
The Arrival of a Train at La Ciotat (1897)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Shine a Light (2008)
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
Sergio Leone: cinema, cinema (2001)
The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.
The Man Who Saved Ben-Hur (2016)
The Man Who Saved Ben-Hur explores the filmmakers relationship with his 89-year old second cousin, Johnny Alarimo, at the end of his life. A charismatic loner, Johnny spent a dazzling career behind the scenes in show business without never forming any lasting relationships. Destine to die that way, the film is a subtle dance between a subject who wants to control his legacy, and a filmmaker/family-member who simply wants to know him.
Portrait of Carlos Saura (2004)
A documentary on the life and career of the Spanish auteur Carlos Saura.
Ozu: Passageways (2012)
People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
Making Dazed (2005)
This documentary reunites the cast of the 1993 film "Dazed and Confused", and features behind-the-scenes footage from the making of the film. A decade after the hit comedy's release, director Richard Linklater reunited the cast -- Ben Affleck, Matthew McConaughey, Parker Posey and Adam Goldberg -- to celebrate the ten year anniversary of the film that helped launch their careers. Now you can watch the cast look back on the movie that changed their lives and on the decade that has passed since.
Abbas Kiarostami: The Art of Living (2003)
Through an interview with Kiarostami in the Aran Islands and interviews with film critics and scholars at Cannes, the director examines Kiarostami's themes and methods. The director also profiles Kiarostami as a poet and a photographer.
Nuytten/Film (2016)
A meeting between two friends: the cinematographer Caroline Champetier shoots a documentary about cinematographer Bruno Nuytten, making a film about his gesture and the relation between film art and craftwork.
Auge in Auge - Eine deutsche Filmgeschichte (2008)
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Bienvenido Mr. Heston (2016)
Spain, 1961. Life in the small village of Torrelobatón, in the province of Valladolid, was turned upside down when the cinematic magic circus of a future Hollywood blockbuster, produced by Samuel Bronston, the rogue mogul of his own film empire, came to town: its inhabitants became participants and witnesses of the shooting of “El Cid,” a film directed by Anthony Mann, starring mythical actors Charlton Heston and Sophia Loren. Those days, legends came alive.
A Testimony as an Image (2002)
In this documentary, script supervisor Teruyo Nogami, who first worked with Akira Kurosawa on RASHOMON, catches up with many members of the crew, including cowriter Shinobu Hashimoto and assistant director Tokuzo Tanaka. They talk about the screenplay’s evolution, difficulties during the shooting of the film, and Kurosawa’s working methods.
The Pixar Story (2007)
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
Paparazzi (1964)
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.