Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.
Memórias do Subúrbio: O que é o Acervo da Laje (2024)
The story of the first house/museum/school in the surburbs of Salvador: Acervo da Laje. Through interviews and photographic records of the Plataforma neighborhood, the short film proposes a reflection on the right to the city, especially the right to art in Salvador's favelas. As well as problematizing the lack of incentives for peripheral culture, it also explores the relationship between care and learning. With moving stories, Zé Eduardo and Vilma Santos will tell us a little about the construction of the collection they designed together. Acervo da Laje goes beyond being just a physical space; it is a daily practice that encourages art and knowledge for people with a voice who have never had the opportunity to be heard.
Totem: Return and Renewal (2007)
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
Allesandersplatz (2021)
Artists, urban planners and the city of Berlin trying to transform a former GDR ruin into a place for new visions and concepts of city - a place where everything is different than before?
Kitchen Dialogue (2025)
Mimi Yu, Nebraska's First Youth Poet Laureate, reminisces about her childhood through her poem Kitchen Dialogue, a journey from the innocence of her childhood to healing from generational trauma in her early adulthood years.
Picasso's Last Stand (2018)
Biographer Sir John Richardson and Picasso’s granddaughter, Diana Widmaier Picasso, are the star witnesses in a documentary that reassesses the artist’s output in the years before his death in 1973. The story is of a creative spirit finding new impetus in response to both death’s approach and the censure of contemporaries and critics. Those who were members of Picasso’s private inner circle – gossip about his lifestyle also helped to fire him back up – put the later work forward as some of his frankest, wittiest and most profound.
American Artifact: The Rise of American Rock Poster Art (2009)
American Artifact chronicles the rise of American rock poster art since it's birth in the'60s. Award-winning director, Merle Becker crosses the country interviewing the rock poster artists from the different eras to discover that America is currently in the midst of a 21st century "rock poster art movement", where thousands of artists around the country are doing silk screened rock poster art inspired by their local scene, the music of our time, and the spirit of our era.
Hieronymus Bosch: The Mysteries of Hieronymus Bosch (1983)
Nicholas Baum goes on a journey to Den Bosch, Hieronymus Bosch's town, and gives his explanation about what he thinks the painter's works originally meant.
Predictions of Fire (1996)
A visceral documentary focusing on the Slovenian collective art movement known as NSK ('Neue Slowenische Kunst') and its varied branches: 'Laibach', 'Irwin', and 'Red Pilot'.
The Act of Killing (2012)
Filmmakers expose the horrifying mass executions of accused communists in Indonesia and those who are celebrated in their country for perpetrating the crime.
Eagle Boy (2018)
A fearless horse bonds two men to each other and to the traditions that define their community.
Praia da Saudade (2024)
A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.