Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England's peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, with Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swashbuckling feats and cliffhanging perils!
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Fräulein Lausbub (1930)
Daisy Baroness Eggloffsburg, a ball of energy, is a spoiled and rather lively, cheerful wild child who is always in the mood for pranks. Her uncle Egon, a stern old gentleman, thinks she has had enough of her foolishness and boozy ideas and needs a man to tell her off and tame Daisy. Harry Spring, the young sportsman hired for the job, is supposed to get both the girl and Baron Eggloffsburg, the owner of the racing stable, back on their feet. But Daisy doesn't give in so easily and now begins to give the young gallant a good grooming.
Zorro (1975)
After fathering a child, Maharaj Bahadur Singh marries and starts a family. One of his sons grows up to usurp him, the other becomes Zorro.
Scaramouche (1923)
A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend, the student adopts the identity of Scaramouche the clown.
Amblin' (1968)
Two wanderers, a young man and a young woman, meet in the desert and decide to travel on together. The two travellers walk and hitch-hike their way down the road to their destination, the beach, becoming friends and lovers.
The Sawmill (1922)
A bumbling sawmill employee tries to win the hand of the owner's daughter while staying out of the clutches of the mill's bullying foreman.
The Eagle (1925)
Vladimir Dubrouvsky, a lieutenant in the Russian army, catches the eye of Czarina Catherine II. He spurns her advances and flees, and she puts out a warrant for his arrest, dead or alive. Vladimir learns that his father's lands have been taken by the evil Kyrilla Troekouroff, and his father dies. He dons a black mask, and becomes the outlaw The Black Eagle. He enters the Troekouroff household disguised as a French instructor for Kyrilla's daughter Mascha. He is after vengeance, but instead falls in love with Mascha.
Tumbleweeds (1925)
William S. Hart stars in this 1925 silent film as a cowboy intent on claiming land during the 1889 land rush in the Oklahoma Territory. Though hardened from years of taming the new frontier, he falls in love with a beautiful woman. Before he settles down, however, he must contend with men who wish to bring him harm. In the prologue of the 1939 Astor Pictures revival of this film, Hart gives a moving eight-minute introduction-- the first and only time he appeared in a film accompanied by his striking voice.
The Winning of Barbara Worth (1926)
While building an irrigation system for a Southwestern desert community, an engineer vies with a local cowboy for the affections of a rancher's daughter.
The Dragon Painter (1919)
A wild man and genius becomes a master painter's disciple, but loses his divine gift when he finds love.
Variety (1925)
The murderer “Boss” Huller – after having spent ten years in prison – breaks his silence to tell the warden his story.
The Texas Streak (1926)
Chad Pennington, a movie-cowboy from Hollywood, gets into trouble when he poses as a two-gun outlaw from Texas named Tommy Hawk.
Drama in the Air (1904)
This Gaston Velle movie from 1904 was a fairly venturesome piece of film-making for the era. First, its credits include Jules Verne: his second after the Méliès TRIP TO THE MOON a couple of years earlier. Second, it uses a dozen cuts, irised lenses -- the balloonists' views through their telescope -- panning shots, combined images and tints. The tints were standard for the era, but everything else had to be achieved with great difficulty. In an era when most movies still lasted a minute with a stationary camera and a single set-up, this was pretty much state of the art.
Let Me Dream Again (1900)
Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.
The Four Little Tailors (1910)
The opening scene is in a tailor's shop, showing the four assistants more or less in love with their employer's daughter. After some time, the tailor says he will give his daughter to the one who shows himself to be the cleverest. Some very amusing incidents follow. The various feats accomplished during the contest are clever examples of trick photography. (Moving Picture World)
Remember When? (1925)
Little orphan Harry is separated from his childhood sweetheart. Years later, he finds she's a bearded lady in a circus.
Sally of the Sawdust (1925)
Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Professor McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of Judge Foster's friend, falls in love. When Sally is arrested McGargle proves her real parentage.