This short documentary follows Gabe Etchinelle as builds a mooseskin boat as a tribute to an earlier way of life, where the Shotah Dene people would use a mooseskin boats and transport their families and cargo down mountain rivers to trading settlements throughout the Northwest Territories.
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The Numbers Start with the River (1971)
The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.
Tiger Soup (2024)
The clash of gray communist reality with the American dream. The nostalgic story of the welder Staś, who left Poland in the 1970s to work in the largest and oldest circus in the world, "Ringling Bros. and Barnum & Bailey.” However, everyday life does not turn out to be so ideal.
The King Without a Crown (1937)
This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.
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A look behind the scenes of Christopher Nolan's film "Oppenheimer" about an American scientist and his role in the development of the atomic bomb.
Quebec in Summertime (1949)
This Traveltalk series short takes the viewer to Quebec, the city that was called the "New France".
When Two Worlds Collide (2016)
In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.
We Wandered Through The Cracks Of The Walls And Were Consumed By The Toilet (2022)
A verbose essay film, making a mountain out of a molehill. Due to Covid-19, exploratory field trips to the countryside turned into school trips. Just when we thought we were going to be bored through the trip, we noticed the "stalacitites" growing on the buildings of the school. And so, as we explored, a hidden ecosystem, hidden behind the neat facade of the school buildings, slowly unraveled. And of course, we didn't intend to stop at just finding them...
Dancing Around the Table, Part One (1987)
Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.
Borderlands (2019)
With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders.
In the Grip of Terror: Making Talk To Me (2023)
The cast and crew talk about making the film with some behind-the-scenes footage.
You Better Take Cover (2015)
A film about Men At Work, their hit single Down Under, and the Kookaburra controversy. The band were sued for copyright infringement and faced the label of 'plagiarists', 35 years after their success. An examination of the organic development of the song, its commercial success and cultural significance and questions the relationship between art and law, influence and copyright.
Talking with the Vampires (2018)
Abel Ferrara directed this thirty-minute documentary that interviews the cast of his film THE ADDICTION.
The Stone Speakers (2018)
In present-day Bosnia and Herzegovina, economically depressed towns turn themselves into tourist destinations in order to survive—deliberately forming their own cultural narratives. Centering on four different locations, The Stone Speakers interrogates a nation’s contradictory memories. Made with subtlety and tactful distance, director Igor Drljaca’s film reveals the traumatic consequences of being a country that is stuck in a postwar identity crisis.
Polar Life (1967)
Polar Life’s novelty was its theatre, with the audience seated on a central rotating turntable in the middle of eleven fixed screens. Viewers have described the intricate juxtaposition of screen images and narration and the complex relationship created between moving spectators and multiple screens. Documentation images and scripts of the bilingual narration by Lise Payette and Patrick Watson show elaborate temporal and spatial representations of the Arctic and Antarctic regions: the Inuit in daily activities in the Canadian North; other northern peoples of Alaska, Lapland, and Siberia; and settlers from the South, scientists, explorers, and other inhabitants of the landscape, including reindeer, bears, and birds. Archival film footage of early northern explorers, combined with newly shot documentary footage, was edited across the various screens to create spatial relationships that are sometimes coherent, sometimes fragmented.
