A documentary relating to a video of the Grand Street Ball of 1988, held by Patricia Field and the House of Field. The film explores the relationships and connections between the music and culture of the Paradise Garage with the ball culture of the mid 1980's, driven by the participants' need to belong, each working, dancing, and surviving together despite the epic sweep of larger societal conflicts of the time. They are featured in present day interviews, along side 1980's archival photography and film, and iconic music representative of the theme, bridging this piece of history to the present day by the passion that lives on.
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Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.
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An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.
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This Is Ballroom (2024)
In Rio de Janeiro City and its outskirts, LGBTQ+ youth of color recreates Ballroom culture on their own terms. A portrait of the dramas, the voguing performances, and the art of shade, 50 years after its inception in New York. Rio is burning!
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Alia and Muz are Pakistani-Welsh queer chosen siblings who overcome rejection and forge a path towards inclusivity. While being part of the local house ballroom scene, they soon meet Aiman, who compels them to form a trio as an Asian artist's collective in Wales. 'Trailblazers' follow their journey in reclaiming their identities, preserving their cultural heritage, and empowering Asian queer artists who refuse to let their families' rejection define them.
Fabulous (2017)
A glance at the queer universe throughout vogue battles, an emerging street subculture in which gay, transgender and other LGBTQ people take the lead. The film sheds light on the movement and on the expressiveness of the bodies, while stepping into the space of dance – from the backstage to the stage –, exalting diversity and the LgBT culture.
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They Shoot Horses, Don't They? (1969)
In the midst of the Great Depression, manipulative emcee Rocky enlists contestants for a dance marathon offering a $1,500 cash prize. Among them are a failed actress, a middle-aged sailor, a delusional blonde and a pregnant girl.
Make Way for Tomorrow (1937)
At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands?
