Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.
Mark Zuckerberg, l'empereur de Facebook (2023)
It's the story of a child prodigy with a passion for the almighty power of code and a mission to connect people around the world. It's a dream that fits in with the great tales of the Silicon Valley pioneers. But behind this optimistic and idealistic vocation, who is Mark Zuckerberg really? What was his strategy for staying in power? His ambivalence is at the heart of this documentary, which reveals the wild ambitions of a man in a hurry and authoritarian, fascinated by the Roman Empire and Bill Gates.
A Very English Genius (2002)
The work and unexplained death of Michael Ventris, the English architect, classicist, and philologist who deciphered the ancient Mycenaean Greek script Linear B, are portrayed.
Josephine Baker: The Story of an Awakening (2018)
How did a poor little black girl from Missouri become the Queen of Paris, before joining the French Resistance and finally creating her dream family “The Rainbow Tribe”, adopting twelve children from four corners of the world? This is the fabulous story of the first black superstar, Josephine Baker.
Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Circus (2022)
We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?
Abu Raykhan Biruni (1974)
A biographical film about one of the greatest Medieval scientists and scholars, Al-Biruni.
Sharko (2024)
Widely regarded as one of the greatest Rugby League players ever, kiwi hard-man Mark Graham was feared off and, on the field, though little knew the real man or the destruction behind his success. SHARKO, portrays an intimate look at the life of a father, a son and the cost of greatness.
Armstrong (2019)
Dramatic, moving and deeply human, ARMSTRONG offers the definitive life story of Neil Armstrong: from his childhood in Ohio to his first steps on the Moon, and beyond.
The Communist (2019)
The “Film about the Father” is a difficult genre. Andreas Goldstein, son of the GDR cultural functionary Klaus Gysi (1912–1999) has tackled this task with a complete lack of vanity, but with insistence: measured and calm, honest and intellectual, analytical and personal. He uncovers a mosaic that renounces both the teleologies of the self-styled winners of history and the simplifications of (West) German Oscar nominees. This film is not about the lives of others, but about his own life. Not about yesterday, about today, too.
Soldier of the Road: A Portrait of Peter Brötzmann (2012)
How do you become Peter Brötzmann? How do you become what you are: a painter, a musician, an absolute artist? Europe was nothing but a ruin and shame possessed the heart of the young Germans. They needed to invent, scream, regain a lost brotherhood. Overcome this silence! That’s how some young German, British, Dutch, Belgian… musicians made Europe exist long before Maastrich and have kept on cherishing, imperturbably, their freedom! They are no longer twenty-year-olds, but others have followed. They set themselves one constraint: reinvent everything every time. A way to take the very instant into account, to let the unexpected in, to match to the world.
The Fabulous Allan Carr (2017)
Armed with a limitless Rolodex and a Benedict Canyon enclave with its own disco, Allan Carr threw the Hollywood parties that defined the 1970s. A producer, manager, and marketing genius, Carr built his bombastic reputation amid a series of successes including the mega-hit musical film "Grease," until it all came crashing down after he produced the 1989 Academy Awards, a notorious debacle.
CAP: 2 Intentos (2016)
A full on examination of the two presidential terms of Carlos Andres Perez in which he led the venezuelan fates: 1974-1979 and 1989-1993, known respectively as "La Gran Venezuela" and "El Gran Viraje". Two models of government that, separated by ten years, were very different but produced a change in the history of the country.
Iron Fists and Kung Fu Kicks (2019)
The fantastic story of how an ancient martial art, Chinese kung fu, conquered the world through the hundreds of films that were produced in Hong Kong over the decades, transformed Western action cinema and inspired the birth of cultural movements such as blaxploitation, hip hop music, parkour and Wakaliwood cinema.
Renegade: The Life Story of David Icke (2019)
A Feature Documentary, featuring David Icke The 'mad man' who has been proved right again and again and again. David Icke has been warning for nearly 30 years of a coming global Orwellian state in which a tiny few would enslave humanity through control of finance, government, media and a military-police Gestapo overseeing 24/7 surveillance of a micro-chipped population. They called him 'crazy', 'insane', a 'lunatic', and he was subjected to decades of ridicule, dismissal and abuse. Oh, but how things change. Today his books are read all over the world and his speaking events are watched by thousands on every continent. Why? Because what he has been so derided for saying is now happening in world events and even mainstream scientists are concluding that reality is indeed a simulation. Almost every day something that David Icke said long ago is supported by happenings and evidence. As Mahatma Gandhi said: 'First they ignore you, then they laugh at you, then they fight you, then you win.
Bogart: Life Comes in Flashes (2024)
The film focuses on the icon of Hollywood’s golden age, Humphrey Bogart, and is framed around his relationships with the five formidable women in his life – his mother and his four wives, including Lauren Bacall. Featuring unprecedented access to rare footage from the estate, and narrated exclusively in his own words, ‘Bogart: Life Comes in Flashes’ explores his journey to become the of star of timeless classics ‘Casablanca,’ ‘Maltese Falcon’’ and ‘The Big Sleep.’ Each relationship offers a deep and intimate understanding of a man for whom stardom was hard won and much deserved.
Sid & Judy (2019)
Explore the dramatic career and personal struggles of the talented and tragically short-lived entertainer Judy Garland through rare concert footage, never-heard-before voice recordings and personal photos.
Clawing! A Journey Through the Spanish Horror (2014)
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
The Arrival of a Train at La Ciotat (1896)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.