Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.
Related Movies
Devil in the Room (2013)
Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.
A Bus - For Us (1972)
After repeated attempts to obtain service from the public transportation authorities, these suburban Ottawa residents finally decided to do it themselves.
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Night and Fog (1959)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
From Grey to PositHIVe (2020)
Autobiographical documentary by Juan De La Mar. Join me to plant myself back to live.
Tudo o Que Imagino (2017)
End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".
Opening of the Kiel Canal (1895)
The opening of the Kiel Canal in Germany by Kaiser Wilhelm II on 20 June 1895.
The Decisive Moment (1973)
Henri Cartier-Bresson: The Decisive Moment is an 18-minute film produced in 1973 by Scholastic Magazines, Inc. and the International Center of Photography. It features a selection of Cartier-Bresson’s iconic photographs, along with rare commentary by the photographer himself.
things that won't die (2022)
After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.
Past Perfect (2019)
Many cities or countries have a distinct malaise. They are places that could be Portugal, so sunk in a painful longing of the past, and where each tension of the present is only the tip of an iceberg that is explained in successive retreats that can go straight until origin of the species, at least. This feeling common to many latitudes is often presented as a diagnosis, a denial of a painful present as opposed to the desire to return to a glorious past.
Omarska (2019)
An attempt to erect a virtual memorial for the victims of the Bosnian war, using archive material, videos and statements from survivors in a 3D animation.
Antigravitation (1995)
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
Skid Row (1956)
A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".
Budapest Portrait (Memories of a City) (1986)
Peter Hutton’s essay on the naturalization of the urban landscape. Voluptuously gray, worn and lived in, the city is like a stage set for an invisible drama.
Dans l'ombre (2024)
This short documentary provides a new look at the Lauberivière organization as well as the individuals who benefit from and operate the services.
Brasilia, Contradictions of a New City (1968)
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
