Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.
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De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade (2020)
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
No Visible Trauma (2020)
Deftly upending the popular assertion that Canadian law enforcement agencies differ from those in the US, this provocative exposé fixes a sharp lens on the Calgary Police Service’s rampant, unchecked use of excessive force.
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Protect or Neglect (2021)
A candid, authentic and provocative conversation about race, bias, and policing in America.
Black and Blue (2017)
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Babylon (2012)
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Every Mother's Son (2004)
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The Police Tapes (1977)
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Michael Moore in TrumpLand (2016)
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