The surviving 14 minutes of the original documentary about the Villas Boas expedition to the Amazonian tribes in Brazil.
Xapiri (2016)
Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.
Cora Coralina: Todas as Vidas (2017)
All the lives of Cora Coralina in a poetic narrative in the voices, feelings and interpretations of six generations of great Brazilian actresses. A polyphony of the voices that inhabited Cora, revealed in prose, verse and images with its immense literary talent and human content. The film reveals the trajectory of Cora Coralina, from her childhood years to getting married and leaving Goiás, from the long period of 45 years lived in different cities in the state of São Paulo and her return to the City of Goiás, when she revealed herself to Brazil with the strength of his poetry.
A kiss for Gabriela (2018)
A KISS FOR GABRIELA tells the story of a remarkable woman named Gabriela Leite. An activist for sex workers’ rights for over 30 years, Gabriela was the first sex worker to run for Brazilian Congress. The documentary presents an intimate portrait of her 2010 campaign when she faced 822 opponents and challenged a male dominated political system. Combining an observational style with unrestricted access, it explores what it means to be a prostitute, to be a wife, and most importantly, what it means for a woman representing one of the most stigmatized populations in the world to run for office. Gabriela’s charisma and amazing history of activism engages audiences and encourages them to reflect critically on laws and policies that restrict the rights and possibilities of women like Gabriela globally. For women like Gabriela who make history and challenge stereotypes with their campaigns, it is not whether they win or lose, or even how they play. It’s that they’re in the game at all.
Panair of Brazil (2007)
Panair do Brasil revives the story of the most important commercial aviation company in Brazil, between 1930 and 1965, with its commercial daring in establishing routes to the four corners of a continental country, taking the adventure of air transport to never-before imagined places, as well as the first international routes. Four decades after it closed its doors, it still retains a marked presence in the country's collective imagination for its pioneering spirit and stories of heroic deeds and for the bewilderment which was aroused by the facts surrounding its closure during the military regime.
Martyrdom (2017)
Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.
Maria Bethânia: Música é Perfume (2005)
Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
RE-MOTE: The Lost Reels (2021)
In the process of remastering Albert Falzon's 1972 classic film, Morning of the Earth, 90 minutes of never-before-seen 16mm camera original outtakes were unexpectedly unearthed. Because of the wealth of this material, a 38-minute film was produced. Getting back to where it all began, this artistic showcase of the “Lost Reels” paints a more complete picture of the filmmaker's journey, and reveals culturally, environmentally and socially significant details of a forgotten past. The film covers Australia, Bali and Hawaii, and is accompanied by an all original soundtrack.
A Imagem da Música - Os Anos de Influência da MTV Brasil (2017)
The documentary goes through the 23 years of MTV Brazil, taking stock from the avant-garde to the ostracism of the broadcaster that was the main guide for the musical, cultural and social formation of young people in the 90's and 2000's with interviews and testimonials from former VJ's and artists that emerged and became popular in the country because of the channel.
City of God: 10 Years Later (2013)
City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
The Sea of Pilgrim Antonio (NaN)
"O Mar de Antônio Peregrino" tells the fascinating story of the pilgrim Antonio Conselheiro and the village of Canudos. In a region feared by its long droughts, thousands of outcast peasants and Indians came together to build a country utopia. The city has been wiped off the map three times but refuses to die. The film is a journey in search of the people and dreams of Canudos. Guided by Antônio Conselheiro's famous phrase “The drought will turn into the sea, and the sea will turn into the drought”, the film goes through the drought and the flood to meet a warm and strong people who never surrendered, cherished with the music of hope and missing.
GIG - A Uberização do Trabalho (2019)
The work mediated by digital apps and platforms is growing worldwide. But the advance of the “gig economy”, called in Brazil “uberization”, has aroused debates about the precariousness and intensification of work.
Waste Land (2010)
An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.
The Salt of the Earth (2014)
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
Brazillians Like Me (2008)
The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.
The Morning Sun Shines (1929)
The Morning Sun Shines is a fiction-documentary film by Kenji Mizoguchi and Seiichi Ina. The film is a combination of a drama about a reporter, and documentary footage about newspaper production. Only 25 minutes of footage has survived.
Isle of Flowers (1989)
A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.