Arthur Rubinstein's 1964 recital in the Great Hall of the Moscow Conservatory, filmed and recorded by Soviet television and preserved in its archives, in a program of work of Chopin and — in encores introduced from the stage by Rubinstein — Schumann, Chopin, Debussy, and Villa-Lobos.
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Janáček's three-act opera Katya Kabanova, staged by Barrie Kosky and staged at the Felsenreitschule by Czech conductor Jakub Hrůša with an international cast of soloists, was performed on August 7 at the 2022 Salzburg Festival. The opera is based on the play The Storm by Aleksandr Ostrovsky. Set in a small Russian town, the story revolves around Káta, who is trapped in a loveless marriage to an abusive man named Boris. When she meets and falls in love with a young man named Vána Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káta to confess her infidelity in front of the entire town. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Stage director Barrie Kosky creates an intimate but impressive setting in the magnificent Felsenreitschule.
Music and Lyrics (2007)
A washed-up '80s pop star gets a chance at a comeback when reigning pop diva Cora Corman invites him to write & record a duet with her, but there's a problem--Alex hasn't written a song in years; he's never written lyrics and he has to come up with a hit in a matter of days.
The Bolero (1973)
The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.
Evgeny Kissin Plays Schubert, Brahms, Bach, Liszt, and Gluck (1991)
Russian pianist Evgeny Kissin delivers a virtuoso performance of remarkable depth and artistry in this 1990 concert recorded live in Munich at Bavaria Musikstudios. Selections include Franz Schubert's Fantasy in C Major, D 760 ("Wanderer"), Johannes Brahms's Fantasies, op. 116, Franz Liszt's Hungarian Rhapsody no. 12, J.S. Bach's "Siciliana" and Christoph Willibald Gluck's "Melody Dance of the Blessed Spirits."
Carmen Habanera z „Carmen-Suity” (1994)
Animated interpretation of the Bizet opera, second in a trilogy.
Carmen Suita z „Carmen – Suity” (1994)
Animated interpretation of the Bizet opera, first in a trilogy
Not Mozart: Letters, Riddles and Writs (1991)
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
The ROH Live: La forza del destino (2019)
Verdi's sweepingly ambitious opera on war, religion, love and fate is given a cinematic staging by Christof Loy. The Marquis of Calatrava forbids his daughter Leonora to marry the South American nobleman Don Alvaro. The lovers attempt to elope, but the Marquis catches them. In the ensuing altercation, Alvaro accidentally kills the Marquis, who curses his daughter as he dies. Leonora and Alvaro become separated during their escape. Leonora's brother Don Carlo di Vargas decides to find them and avenge his father.
Gustav Mahler: Symphony No. 2 Resurrection (2007)
In 2005, the Staatsoper Berlin and its orchestra, the Staatskapelle Berlin under musical director Daniel Barenboim, celebrated a series of events to celebrate the 80th birthday of French conductor and composer Pierre Boulez. Artistically associated for decades with Barenboim and Berlin, Pierre Boulez is one of today's most distinguished composers and conductors. As part of the celebration, Boulez conducted a performance of Mahler's "Resurrection" Symphony at the Berlin Philharmonie. With his uncompromising approach to the score, Pierre Boulez's Mahler readings have long fascinated critics and audiences alike. Boulez eschews the romanticized readings common in performance tradition and, instead, reveals the real joy and terror in Mahler's large-scale symphonies.
Satie's "Parade" (2016)
A Parade for three managers and four performers. Sketchy drawings in a neatly arranged palette, involving quotes from the French composer Erik Satie, set to the music of Parade performed by the Dutch Willem Breuker Kollektief.
The Beat That My Heart Skipped (2005)
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
Beethoven - Symphonies 1-9 (Berliner Philharmoniker, Sir Simon Rattle) (2016)
Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.
Four Minutes (2006)
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
Shostakovich Symphony No. 8 (2011)
A performance for the ages - the Royal Concertgebouw Orchestra under the charismatic yet calculated baton of Andris Nelsons give everything they've got to Shostakovich's might 8th Symphony.=2011 winner of the prestigious ECHO Klassik Award, Andris Nelsons is one of the most sought-after young conductors on the international scene today.=Over the next few seasons he will continue collaborations with Berlin Philharmonic, Vienna Philharmonic, Royal Concertgebouw Orchestra, Boston Symphony and the New York Philharmonic. Andris Nelsons is a regular guest at Royal Opera House Covent Garden and the Metropolitan Opera New York.
