Two criminals take a trip up the coast of California. As they arrive at a small town- what should just be a small stop on the way- one of them begins to feel as though they've been their before.
My Fat Arse and I (2020)
A girl who believes she is too fat is invited to the "Kingdom of Slimbuttlandia".
Pizza Delivery! (2020)
A pizza delivery boy goes on the ride of his life (or death) in order to keep his job.
Eclipse (2012)
On a distant planet, two scientists analyzing the field for its magnetic properties are facing an extraordinary phenomenon linked to the lunar eclipse.
Grand Central (2011)
A trip across a megacity's streets visually revealed by an hypnotic line game..
Book of Dreams: Welcome to Crateland (1994)
Mona relates her dream. Crawling through an apparently endless wooden crate, she encounters diverse characters while the crate itself is moving towards a fiery destruction.
Apple Pie (2016)
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
Ghost Cell (2015)
Both a scientific and dreamlike documentary at once, Ghost Cell is a stereoscopic plunge into the guts of an organic Paris seen as a cell through a virtual microscope.
The Game (1962)
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.
A Fugue (2019)
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
Bom Dia Rio (2018)
A succession of slices of life paints a general portrait of the city of Rio de Janeiro and its inhabitants; their pace of life, urban patterns, the weight of concrete, ethnic mix, body worship, religion, work, leisure.
Planet Sigma (2015)
On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.
O Black Hole! (2020)
A woman who can't stand the passing of time turns herself into a black hole. A thousand unchanging years pass inside her warm and dark embrace until, finally, the Singularity awakens inside.
Un Tour de Manège (2009)
During a ride on the merry-go-round, a little girl will experience her life on a trip along the water.
Toroid (2019)
Toroid is an experimental audio-reactive animation work that demonstrates the possibilities of harnessing digital waveforms of electronic origin into a continual source of power. By making the invisible visible, the work bears similarity and inspiration from the extensive quantum energy research at CERN which seeks to uncover and control the particles in and around us. In this era of over-production and over-algorithmic data illusion of choices, Toroid inserts itself in the digital narrative as a power source simulation showing a possibility for ensuring a positive flow of eternal (renewable) energy working in parallel with the natural order.
For Sock's Sake (2008)
Stop-motion animated short produced as a film student graduation project at the Gobelins Animation School of Paris by Carlo Vogele, class of 2008, leading to a career as a character animator at Pixar. It was selected as the winner of the Best Graduation Film award the following year at the Annecy International Animated Film Festival.