Night and the City (1950)
Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with Harry's schemes, his girlfriend, Mary, becomes fed up when he taps her for yet another loan.
The Lineup (1958)
In San Francisco, a psychopathic gangster and his mentor retrieve heroin packages carried by unsuspecting travelers.
Quiet Please, Murder (1943)
A forger steals and kills for a rare book from a library in order to make forgeries to sell to rich suckers.
Never Let Go (1960)
John Cummings, an unsuccessful cosmetics salesman, has his unpaid-for car stolen by one of the hoods in the employ of Lionel Meadows, the sadistic organizer of a London car conversion racket. The car was not insured, and since the police appear indifferent to his plight, Cummings decides to find it himself -- and gets himself involved in an underworld battle.
Danger Signal (1945)
After robbing and murdering his married lover and then making her death look like suicide, conniving philanderer Ronnie Mason relocates to Los Angeles. Under a new identity and claiming to be a writer, Ronnie finds lodging at the home of Hilda Fenchurch and her mother. He woos Hilda, knowing she has money, but when he discovers that Hilda's sister, Anne, has just inherited $25,000, he switches his attentions to her.
The Damned Don't Cry (1950)
Fed up with her small-town marriage, a woman goes after the big time and gets mixed up with the mob.
The Sleeping City (1950)
A young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster.
The Human Jungle (1954)
Danforth is assigned to take over the police department in a section of a large city saddled with juvenile delinquency, petty crimes, graft and also a recent unsolved murder of a strip-tease dancer. Recognizing the laxity of the department he implements many changes and soon finds himself under fire by the newspapers, the attorney of a racket leader and the denizens of this human jungle.
The Glass Web (1953)
A manipulative diva blackmails a married man and insults her secret lover, leading to her murder. As the husband tries to cover his tracks, the lover sabotages him and suggests turning the case into a TV show episode.
I, the Jury (1953)
After his best friend and war buddy is mysteriously gunned down, Mike Hammer will stop at nothing to settle the score for the man who sacrificed a limb to save his own life during combat. Along the way, Hammer rides a fine line between gumshoe and a one-man jury, staying two-steps ahead of the law—and trying not to get bumped off in the process.
The Long Wait (1954)
Soon after thumbing a ride from a truck driver, Johnny McBride is badly burned and suffers from complete amnesia when the vehicle he’s riding in blows a tire and goes over an embankment in a fiery blaze. McBride later receives a tip from an acquaintance that a photo of him was placed prominently in the window of a photography studio in a town called Lyncastle, so Johnny immediately leaves for the burg in the hopes that something there will jog his memory.
Vicki (1953)
A supermodel gets murdered. While investigating the case the story of a waitress turned glamor girl is revealed.
Down Three Dark Streets (1954)
An FBI Agent takes on the three unrelated cases of a dead agent to track down his killer.
The Crooked Way (1949)
A war veteran suffering from amnesia, returns to Los Angeles from a San Francisco veterans hospital hoping to learn who he is and discovers his criminal past.
Guilty Bystander (1950)
A drunken ex-cop gets a shot at redemption when his young son is kidnapped after a smuggling deal goes belly up.
Ruthless (1948)
Horace Vendig always gets what he wants. Even as a poor youth, he charmed his way into high society by getting the father of his friend, Martha, to foot the bill for his Harvard education. When Vic, another childhood pal, is invited to Horace's mansion for a party, he brings along Mallory Flagg, who happens to bear a striking resemblance to Martha. As Vic and Horace reunite, old resentments rise to the surface.