Hud Dixon returns to his hometown when his brother is killed by a lynch mob.
At the End of the Rainbow (1971)
Roy runs away from the labor camp of Santa Lucia with Emiliano, a New Mexico rancher, both imprisoned unjustly for three powerful American bankers, to seize the gold mine that had Emiliano. During flight, the landowner dies and in his last moments asked Roy to recover the mine and save Jessica, daughter of his former foreman.
Bad Man's River (1971)
Robber Roy King loses his wife, Alicia, to revolutionary Montero. Despite their rivalry they collaborate in an attempt to rob the Mexican government of one million dollars.
Shoot Out (1971)
Clay Lomax, a bank robber, gets out of jail after an 7 year sentence. He is looking after Sam Foley, the man who betrayed him. Knowing that, Foley hires three men to pay attention of Clay's steps. The things get complicated when Lomax, waiting to receive some money from his ex-lover, gets only the notice of her death and an 7 year old girl, sometimes very annoying, presumed to be his daughter.
Kid Vengeance (1976)
One of Cannon Films' two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini's Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom's maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O'Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi's fine musical score, but the film is otherwise anemic.
Four Rode Out (1969)
In this western, a Mexican desperado tries to flee his partner, a determined girl friend, and a US Marshal.
Deadlock (1970)
After pulling off a bank robbery two bandits meet in a deserted mining town to divide their loot but an old miner tries to steal it from them.
Gunfight at Red Sands (1963)
An avenging stranger guns down a gang of ruthless bandits in revenge for the murder of his family.
For a Few Dollars Less (1966)
A bank clerk and his cousin, a "general", join forces to track down a Mexican outlaw.
Shoot First… Ask Questions Later (1975)
The White, the Yellow, and the Black (Italian: Il bianco, il giallo, il nero, also known as Shoot First… Ask Questions Later) is a 1975 Spaghetti Western comedy film. It is the last spaghetti western directed by Sergio Corbucci. Differently from his previous western films, this is openly parodic.
Man Who Cried for Revenge (1968)
A Civil War veteran is amnesic after being shot in the head. When he returns to his hometown, he finds out that he has been declared a deserter. The local judge offers him a chance to clear his name, but he only wants to send him against some dangerous outlaw and his gang.
A Man Called Sledge (1970)
James Garner is Luther Sledge, the leader of a pack of rebels who are planning to steal a stash of gold. But after the thieves actually manage to get away with the bounty, they soon discover that the enemy lies within their midst. As they begin to bicker over who should get the biggest cut, the stage is set for a deadly showdown. Claude Akins and John Marley co-star in this Italian Western directed by Vic Morrow.
Bandits of the Badlands (1945)
Sunset Carson is a wandering cavalier who rides into the Badlands. Hallie Wayne is bedeviled by bandits who've been raiding the livestock of her ranch.
Johnny Hamlet (1968)
On his way back from the Civil War, Johnny Hamilton is visited in his sleep by the ghost of his father who lets him know that he has been murdered and who asks him to avenge him. Back in the family ranch, Johnny finds that not only has his father been killed but that Gertrude, his mother, has married her late husband's brother Claude. The latter is now the owner of the ranch and of all the properties of the deceased. Polonius, a ruthless bandit, is supposed to have killed Johnny's father. But couldn't it be Claude...?
The Ugly Ones (1966)
Escaped outlaw Jose Gomez returns to his home town pursued by bounty killer Luke Chilson. The towns people protect Gomez, unaware, at first, that he is now a changed and dangerous man.
Fort Yuma Gold (1966)
Near the end of the Civil War, an imprisoned Confederate raider is sent under guard to warn both his men and the Army at Fort Yuma that an impending rebel raid is really nothing but a ruse by scoundrels from both sides, in cahoots to take the fort's gold for themselves during the chaos. Soon he slips his treacherous escort and attempts to complete the mission himself.
Django Strikes Again (1987)
Former gunfighter Django has become a monk and abandoned his violent former ways. His daughter is kidnapped by rogue Hungarian soldiers using slave labor to run a silver mine. Django casts off his habit and digs up his machine gun to practice a little liberation theology.
And God Said to Cain (1970)
An innocent man sentenced to ten years in prison for a crime he did not commit, is released from jail, promising to seek revenge on the guilty.
Son of Django (1967)
The son of Django searches for the murderer of his father and is thereby involved in a war between two factions headed by former acquaintances of his famous parent.
God's Gun (1976)
Priest turned vigilante Father John hunts down a gang of criminals, led by Sam Clayton, who killed a man in a local bar. On the gang's return to the town, they kill the priest, leaving a young parishioner Johnny behind. He now seeks revenge for the death of the holy man.
The Unholy Four (1970)
A young man who has lost his memory, escapes from prison with three other convicts. The other men help him find back bits of his past, until they arrive at a village where two warring families recognize him. Apparently he has a reputation for being a fast gun, and he has been paid to kill a man - who says he is his father. His younger brother is jealous of the attention the prodigal son receives, and things come to a dramatic end.