Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.
The Prince's Kiss (2015)
A Gothic Horror retelling of "Sleeping Beauty", in which Frankenstein's hunchbacked assistant falls in love with his master's latest monstrous creation, and tries to bring it to life through a true love's kiss.
Revolutions Per Second (2012)
A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.
Hellboy II: The Golden Army (2008)
Hellboy, his pyrokinetic girlfriend, Liz, and aquatic empath, Abe Sapien, face their biggest battle when an underworld elven prince plans to reclaim Earth for his magical kindred. Tired of living in the shadow of humans, Prince Nuada tries to awaken an ancient force of killing machines, the all-powerful Golden Army, to clear the way for fantasy creatures to roam free. Only Hellboy can stop the dark prince and prevent humanity's annihilation.
Trailer of a Film That Will Never Exist: Phony Wars (2023)
Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.
Magritte or the Object Lesson (1960)
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
Le Grand Méliès (1952)
A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.
Fox & Penguin (2021)
How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
Dracula 2000 (2000)
When a team of techno-savvy thieves break into a high-security vault, they don't discover priceless works of art... they find a crypt unopened for 100 years.
Dracula II: Ascension (2003)
A group of medical students discover the body of the infamous count. Soon, they find themselves in the middle of a bizarre and dangerous conflict when a shadowy figure offers them $30 million for the body so that he may harvest his blood.
The Birth of the Genre (1967)
The film summarizes the origin and development of animated film at the turn of the 19th and 20th centuries
October in Madrid (1965)
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Letters to the Postman (2023)
A young inexperienced postman receives letters from a mysterious woman.
Pineapple (2020)
A short made during quarantine. - "I feel like I'm coming out of hibernation. I did not learn anything, I did not developed personal growth, nor qualities. I was smart for one day and read challenging stuff, and then for three days watched persisently TV series. I couldn't write. I found a handful of indispensable people. I didn't really understand much of this whole quarantine story; but I'm analytically only retroactive, so maybe it's going to happen. This movie made me feel alive for a few days."
The Contact Enigma (2021)
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.
Something New to Die for (1993)
Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.
No Sense Makes Sense (1993)
Portrait of Charles Manson. Contains various interviews with J.R. Bruun, Boyd Rice, Nikolas Schreck and other persons with an interest in Charles Manson, inter cut with a barrage of weird clips from movies and television.
Ten Lives of a Cat: A Film about Chris Marker (2023)
Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.
Mi Marilyn (1975)
A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.
Sweet, Sweet Lonely Girl (2016)
Soon after moving in with her aging aunt Dora, Adele meets Beth, seductive and mysterious, who tests the limits of Adele's moral ground and sends her spiraling down a psychologically unstable and phantasmagoric path.
All's Well That Ends Well (1968)
An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.