The collective of antipatriarchal men is a political organization that, since 2010, organizes spaces of group self-reflection to problematize the role of masculinity for those who identify as and/or are read as men. This documentary was filmed around one of their yearly regional forums.
Dolores guapa! (2022)
Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.
La fuga (2022)
The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.
I Am a Man: Black Masculinity in America (1998)
Award-winning filmmaker Byron Hurt explores what it means to be a Black man in America. Traveling to more than fifteen cities and towns across the country, Hurt gathers reflections on Black masculinity from men and women of a variety of socioeconomic backgrounds and a host of leading scholars and cultural critics. What results is an engaging and honest dialogue about race, gender, and identity in America. Features bell hooks, Michael Eric Dyson, John Henrick Clarke, Kevin Powell, Andrew Young, Dr. Alvin Poussaint, MC Hammer, Jackson Katz, and many others.
A Queer City (2020)
A documentary following three young nascent drag artists as they navigate a rising queer scene in Norwich City - a place wherein they express their queerness and identities freely through performance, visual artistry, and community.
Queer Artivism (2013)
An insight into 5 queer film festivals accompanied with the discussion about the importance of queer film festivals, queer film and people's experience with both.
China Dolls (1998)
Aussie boys of Asian descent candidly discuss their status as a "minority within a minority".
Harry Styles: The Finishing Touch (2023)
Hit after hit, pop-icon Harry Styles, once the centerpiece of the world's biggest boy bands has grown into someone who isn't afraid of self-expression, continuing to reject the traditional confines of masculinity.
Homosexual (2013)
In this funny and erotic mockumentary, director Toby Ross takes an out of the box look at homosexuals - dividing them into two major groups: those who are into it for the sex and those who are looking for relationships. The live reenactments are an eyeful and it goes through all the levels and strands of gay guys. Out and proud, fringe homos, closet cases by design, country fags, and more.
Faggots (2019)
Absolute pleasure as an identity. Alfonso de Sierra, Luis Escribano, Ramón Massa, Ces Martí and Enric Bents were “Els 5 QKs”, a group of amateur filmmakers who, in 1975, decided to get together and create a transgressive and courageous filmography breaking social, religious, and political boundaries; placing the faggot as leading role hero: proud of himself, shameless, beyond good and evil. In this documentary film, Luis Escribano and Ces Martí, only living members of the group, review, alongside some actors, their creative process and what those films, forgotten till now, meant to Barcelona during La Trancisión.
Adonis (2024)
A hard-hitting documentary that tackles head-on a controversial but increasingly alarming subject: young men's obsession with the perfect body, and the use of performance-enhancing drugs to achieve it. Once the preserve of top-level athletes, the use of anabolic steroids has become endemic among teenagers and young men with a passion for bodybuilding. Daring to tackle head-on the taboo of male beauty standards, Adonis offers a field investigation into the heart of this muscle-building machine, questioning the reasons behind and the physical, psychological and social risks of this race to the perfect body. As he stages his own vulnerability, the filmmaker lifts the veil on the scale of the public health crisis that is looming.
The Gods of Our Fathers (1994)
Explores the evolution of patriarchy as one effective way of organizing mass societies, from evidence in ancient Egyptian villages along the Nile.
I'm a Porn Star: Gay 4 Pay (2016)
Welcome to the curious, surprising and always outspoken world of straight men who go Gay4Pay. Curiously, there is a disproportionate percentage of men working in gay porn who identify as straight. Why would a straight man do gay porn? What motivates him to try this or make a career of it? Why is there such keen interest and debate into the sexuality and personal lives of these men? And what does it say about us, the viewer that so much of gay porn is dominated by images of straight men?
My Film with Andrei, Or: How I Learned to Stop Worrying and Document a Sex Party. (2021)
A crypto-trader and an ex-clergyman travel to Berlin to throw a sex party. Filmmaker Ayoto Ataraxia documents them and their sex-positive community with a phone during the week leading up to the event, discussing sex and life. But will they cum?
Pornography: Andrea Dworkin (1991)
Radical feminist Andrea Dworkin's expose on the pornography industry.
Retreat (2019)
Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.
The Codes of Gender (2010)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.