Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.
Of Another Place (NaN)
On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.
P.M. (1961)
Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.
The End of Summer (1964)
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
Believe It or Not (Second Series) #4 (1931)
Billy falls asleep and dreams Robert L. Ripley takes him on a tour of Believe-It-or-Not land to see many oddities. Vitaphone No. 1320.
Believe It or Not (Second Series) #5 (1932)
Robert Ripley shows a pretty blond a shrunken head and an iron execution chamber. Vitaphone No. 1336.
Believe It or Not (Second Series) #6 (1932)
Robert Ripley draws and shows movies to train passengers. Vitaphone No. 1346.
Believe It or Not (Second Series) #7 (1932)
Robert Ripley gives a show aboard a luxury liner at sea, starting with drawings discussing the origin of the "fathom" and Christopher Columbus being banished from America. Vitaphone No. 1361.
Believe It or Not (Second Series) #8 (1932)
Robert Ripley presents a well-dressed cocktail party an assortment of drawings and film clips showing the world's youngest parents and the largest bible. Vitaphone No. 1362.
Believe It or Not (Second Series) #9 (1932)
In this short film, Robert L. Ripley introduces narrator Leo Donnelly who presents various "Believe It or Not" oddities from around the world as gathered by Ripley. Segments include a NYC clothier that caters to very large men and circus elephant grooming. Vitaphone No. 1363.
Believe It or Not (Second Series) #10 (1932)
This omnibus of film clips include a Savanna golf course made from Civil War trenches, wooden Indians used ourside cigar stores, an American Indian artist from South Dakota who paints upside down, the smallest residence house, a Bronx River statue with mysterious Civil War origins, the Ocean Grove community in New Jersey that closes on Sundays and a futuristic automated parking garage. Vitaphone No. 1364.
Antigravitation (1995)
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
A Life, Complete (2019)
John Banvard and Jerry Nadeau are military veterans who served in World War II and Vietnam, respectively. John, 100, and Jerry, 72, sat down at the veterans home where they live to reflect on nearly 25 years together.
Personal Life of a Hole (2021)
A hole gapes in a house wall. A small flaw, something imperfect that we seldom consciously direct our attention to. Filmmaker Ondřej Vavrečka finds holes in every corner. His focus is on the imperfections of human existence. A hole can also mean an uncertain future, or an empty stomach. The gap that partners leave behind after a breakup. Ondřej Vavrečka does not only deal with visible holes. He looks at the incomplete from a philosophical perspective. He also lets a nuclear physicist, a theologian and an ethnologist have their say. He underscores their thoughts and theses with absurd everyday scenes: a woman with a chair on her head or an invisible skier. These scenes combine with interviews, sounds and stop-motion sequences to create a playful collage.
The Girl with the Rivet Gun (2020)
Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.
Papa – Notes on Life and Death (2023)
The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.
Mother Earth (1968)
'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
Brasilia, Contradictions of a New City (1968)
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)