A Christmas Carol (2020)
Two visionary talents, playwright Jack Thorne and director Matthew Warchus, offer a magical new interpretation of Charles Dickens’ classic story. This timeless—and timely—tale of redemption welcomes theatergoers of all ages into an immersive experience that’s brimming with Christmas spirit, with dazzling staging, moving storytelling, and 12 of the most cherished Christmas carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear.”
I Surrender Dear (1948)
Patty Nelson lands a job as a singer with orchestra leader Al Tyler, and tours with the band as "Patty Hart." Patty's father Russ is dismissed from his radio-station job, and the disc jockey selected to replace him is Al Tyler. Patty rushes home to keep Russ company on the air for the final few days, and Al wonders why she suddenly walked out on him. The new "Patty and Russ" radio show catches on, causing complications with Al and the radio-station bosses.
Prem Nagar (1974)
Karan hires Lata as his secretary and asks her to move to one of his cottages with her family. However, things take a turn when she is accused of stealing a valuable necklace.
Padmaavat (2018)
Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.
Love Happy (1949)
The Marx Brothers help young Broadway hopefuls when they get mixed up with gangsters due to a tin of sardines containing Romanoff diamonds.
For Me and My Gal (1942)
Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
Oklahoma! (1999)
A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.
The Full Monteverdi (2007)
The Full Monteverdi follows the simultaneous break-up of six couples, from shocking revelation, vengeful anger and erotic longing for reconciliation, as an ensemble film. Vulnerable and disarming, it draws viewers into its emotional journey and intensely moving portrait of contemporary love.
Let's Have Fun (1943)
When a musical star discovers her leading man is married, she quits the show and takes its financial backer with her.
Sawan Ko Aane Do (1979)
Chandramukhi, the city educated daughter of the village zamindar returns to Ramnagar, a typical village. There she meets her childhood friend Birju aka Brij Mohan. He has a lovely voice and she encourages him to pursue singing. Eventually Brij and Chandramukhi fall in love, but Chandramukhi's father cuts it abruptly and sends her to Lucknow. A short while later Brij arrives at Lucknow. Gitanjali, Chandramukhi's friend, is thrilled by his voice and helps him get a job at Aakashvani through her father. Brij returns to Ramnagar to ask Chandramukhis hand in marriage but is once again rebuked. He returns and goes on to become a great singer in Mumbai with Gitanjali by his side. All through he yearns for Chandramukhi as she yearns for him. How he manages to marry her forms the rest of the story.
Smoky Mountain Melody (1948)
Country-western favorite Roy Acuff and his Smoky Mountain Boys star in the Columbia musical western Smoky Mountain Melody. Not much happens plotwise: Acuff, playing "himself," is a tenderfoot who somehow manages to come out on top when he heads westward. The villains (who aren't all that villainous) try to promote a phony stock deal, but Roy and his pals foils their plans. The comedy honors go to Guinn "Big Boy" Williams as a blowhard sheriff. Smoky Mountain Melody was scripted by Barry Shipman, the son of pioneering female filmmaker Nell Shipman.
West Indies (1979)
Aboard a giant slave ship in an abandoned Citroën factory, the history of the West Indies is traced through several centuries of French oppression. The ship becomes a stage for the people to tell stories via song and dance—from their enslavement to their displacement in Metropolitan France.
Havana Rose (1951)
Ambassador Rico DeMarco is in Washington trying to raise a five-million dollar loan for his country, Lower Salamia. Filbert Filmore and his domineering wife are about to sign on the dotted line for the loan when DeMarco's vivacious daughter, Estelita, upsets the deal by accidentally knocking hot coffee over the papers---and Mrs. Fillmore, who leaves the house in a huff. When word of the difficulties filters back home it's Viva la Revolution. But Estelita, disguised as a fortune teller tries to convince astrology believer Fillmore that the stars are propitious for his making the loan.
Geraldine (1954)
Music manager Janey Edwards poses as a co-ed to get the rights to a song from one of the professors.
Muse of Pasig (1950)
It is a supernatural melodrama of a woman's misfortune and suffering interwoven with the legend of the Pasig. The legend itself is inspired by the immortal kundiman of the director's brother, Nicanor Abelardo.
Moulin Rouge! (2001)
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Singin' in the Rain (1952)
In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.
38-24-36 (1963)
The film is a rundown of the songs sung by the stars of the time, chained to various shows such as strip and comic caricatures.
Lili Marleen (1981)
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.