The film MISS REPRESENTATION exposes how American youth are being sold the concept that women and girls’ value lies in their youth, beauty and sexuality. Explores the under-representation of women in positions of power and influence in America, and challenges the media's limited portrayal of what it means to be a powerful woman. It’s time to break that cycle of mistruths.
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Tasha Diamant's Human Body Project (2010)
Gandhi said: 'Be the change you wish to see in the world.' In this experiential open forum shot at a fringe theater festival, Tasha Diamant, a mother, artist, and educator, models human vulnerability by appearing naked and unscripted. Diamant has bravely chosen to 'be' or embody the humanity we all share: physicality, fragility, mortality. The goal: authenticity, compassion, peace. Engaged audiences connect and participate.
Radical Vulnerability (2019)
Performance artist Tasha Diamant is the first person in the world to stand naked on the street with the Extinction Symbol, which she started in 2012. This mini-doc was shot in 2019 in Montreal. Her work confronts privilege, capitalism, state oppression, obliviousness, whiteness, to name a few. Ask yourself: why 10 cops?
We Can't Make the Same Mistake Twice (2016)
The new film from celebrated documentarian Alanis Obomsawin (Kanehsatake: 270 Years of Resistance) chronicles the events following the filing of a human-rights complaint by a group of activists, which charged that the federal government's woefully inadequate funding of services for Indigenous children constituted a discriminatory practice.
Fieldwork Footage (1928)
Under the tutelage of anthropologist Franz Boas (her former Columbia professor) and Harlem Renaissance arts patron Charlotte Osgood Mason, Zora Neale Hurston spent nearly two years, from 1927 to 1929, studying the folkloric customs, work songs, spirituals, and vernacular language of African American communities along the River Road and from New Orleans to Florida.
The House of Steinbrenner (2010)
Love them or hate them, the Yankees dominated baseball for more than four decades, then sagged under ownership by CBS until a 42-year-old shipbuilder named George Steinbrenner led a purchase of the team in 1973. He turned that $10m investment into a billion-dollar business, and the 'House that Ruth Built' inspired generations of fans. Deteriorating facilities and changing revenue streams inspired Steinbrenner to build an impressive new stadium marking the end of one grand era and the beginning - perhaps - of another.
Unmatched (2010)
The first time Chris Evert and Martina Navratilova stepped onto a tennis court together, the world scarcely noticed. Only a few hundred spectators saw the pert 18-year-old beat the scrappy 16-year-old Czech in 1973. “I remember that she was fat,” Evert recalled. “She was very emotional on the court, whining if she didn't feel she was playing well. But I remember thinking, if she loses weight, we’re all in trouble.” Said Navratilova, “My goal was for her to remember my name.” Eighty matches later – amid the extraordinary growth of women’s tennis – Evert not only remembered, but became a tried and true friend and confidante, remarkable considering the two appeared to be polar opposites in upbringing, life styles and personal relationships. Through a series of personal conversations, this documentary will tell the story of one of the greatest one-on-one sports rivalries and capture these two extraordinary athletes’ views on tennis and an ever-changing world.
The Lottery (2010)
Four children enter a high-stakes lottery. If they win, they can attend one of the best schools in New York. A look at the crisis in public education, The Lottery makes the case than any child can succeed.
Which Way Home (2009)
Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.
Tsunami: Caught on Camera (2009)
A minute-by-minute account of the Boxing Day 2004 Tsunami told through amateur video footage of people who were there.
Operation Filmmaker (2008)
Soon after the fall of Baghdad in 2003, a young and charismatic film student, Muthana Mohmed, stands in the rubble of the city's film school and explains to an American television audience that his dream of becoming a filmmaker has been destroyed - first by Saddam Hussein, then by American bombs. This brief, fortuitous appearance on MTV changes Muthana's life forever. Watching in the United States, actor/director Liev Schreiber stops channel surfing, utterly captivated. Feeling guilty about a war he opposed, Schreiber decides to extend to the unknown Iraqi the opportunity of a lifetime - to come to Prague to work on an American movie, Everything Is Illuminated. On set, frustrated expectations complicate the relationship between Muthana and his American benefactors in what becomes a cross-cultural endeavor gone awry. Filmmaker Nina Davenport becomes increasingly entangled in the young Iraqi's life as his visa is about to expire and the threat of returning to Baghdad looms...
!W.A.R.: !Women Art Revolution (2010)
Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.
Married to the Eiffel Tower (2008)
Imagine a world in which people seem hostile while inanimate objects appear friendly – even affectionate. Imagine dreading the touch of another human but longing for a passionate encounter with a large public structure. This is the strange world of the "objectum sexual"– a group of people, mainly women, whose intimate lives revolve around objects with which they say they share romantic and sexual love. Erika is married to the Eiffel Tower. She has a passion for inanimate objects, and her mission is to fight the stigma surrounding the disorder and create a global network of sufferers - like Amy, in love with a church organ, and Eija Riita, who married the Berlin Wall.
The Wolfpack (2015)
Locked away from society in an apartment on the Lower East Side of Manhattan, the Angulo brothers learn about the outside world through the films that they watch. Nicknamed ‘The Wolfpack’, the brothers spend their childhood reenacting their favorite films using elaborate home-made props and costumes. Their world is shaken up when one of the brothers escapes and everything changes.
The Wobblies (1979)
"Solidarity! All for One and One for All!" With that slogan, the Industrial Workers of the World, aka the Wobblies, took to organizing unskilled workers into one big union and changing the course of history. This award-winning film airs a provocative look at the forgotten American history of this most radical of unions, screening the unforgettable and still-fiery voices of Wobbly members--lumberjacks, migratory workers, and silk weavers--in their 70s, 80s, and 90s.
The Unforeseen (2007)
A documentary about the development around Barton Springs in Austin, Texas, and nature's unexpected response to being threatened by human interference.
Naked on the Inside (2008)
Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.
Last Days (2014)
A short animated documentary film about the decline of African elephant populations due to the illegal ivory trade.
Punk Girls - Die weibliche Geschichte des britischen Punk (2024)
London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.
Von Trier's 100 Eyes (2000)
Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)