Pat Patterson and those who knew him best look back at his unlikely path to the top of sports-entertainment. From growing up a poor kid in Montreal, to finding fame in San Francisco and New York City and working side-by-side with Vince McMahon, Pat became the celebrated creative force behind some of the greatest moments and matches in WWE history.
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Olympia: Part Two – Festival of Beauty (1938)
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Grizzly Man (2005)
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WWE: Cheating Death, Stealing Life: The Eddie Guerrero Story (2004)
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Ghosts of Ole Miss (2012)
In the fall of 1962, a dramatic series of events made Civil Rights history and changed a way of life. On the eve of James Meredith becoming the first African-American to attend class at the University of Mississippi, the campus erupted into a night of rioting between those opposed to the integration of the school and those trying to enforce it. Before the rioting ended, the National Guard and Federal troops were called in to put an end to the violence and enforce Meredith's rights as an American citizen.
The Endless Summer (1966)
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Parchís: the Documentary (2019)
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Javier Milei: la revolución liberal (2023)
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Goal! (1966)
This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to created the final 108-minute feature.
Chuck Amuck: The Movie (1991)
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A Thousand Pieces (2014)
A documentary about the Swedish singer Björn Afzelius, his life and work, told by interviews with friends, family and bandmates and through unique and never-seen-before archive material.
Bola de Nieve (2003)
Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.