At the end of the 90s, Viktor & Rolf broke into the international fashion world as innovative designers with their theatrical catwalk shows and avant-garde creations. Now they are ready to conquer the world with their own fashion house, their perfume 'flowerbomb', a matching catwalk collection, and new lines of glasses and shoes. The film Viktor & Rolf: "Because we're worth it!" takes the viewer up close and personal with the Dutch fashion duo at this turning point in their career. Over the period of one year, documentary filmmaker Femke Wolting follows Viktor & Rolf every step of the way as they take on a new course.
Bigger Than Us (2021)
For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today.
24 Realities per Second (2005)
A portrait of a dedicated filmmaker who is a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.
Underwater Impressions (2002)
Riefenstahl explores the undersea world of coral reefs in various oceans around the world. Soundtrack by Giorgio Moroder.
Seeing is Believing: Handicams, Human Rights and the News (2002)
The impact of consumer video equipment on international political activism efforts.
Mary Lou Williams: The Lady Who Swings the Band (2015)
Jazz pianist Mary Lou Williams was a genius ahead of her time. From child prodigy to "Boogie-Woogie Queen" to groundbreaking composer to mentoring some of the greatest musicians of all time, she never ceased to astound those who heard her play. But for a Black woman in the early 1900s, life as a star did not come easy.
Thank You and Good Night (1992)
Director Jan Oxenberg's docu-fantasy narrative about aging and death, and how it affects her family.
Leaving Africa (2015)
Riitta and Catherine live together in Uganda. By day the two sixtysomethings provide sexual health and equality education for Catholics, Muslims and Anglicans alike. By night they smoke, do crosswords and don’t shy away from frank discussions. Riitta's long career empowering women in Africa is coming to a close, but Ugandan government is trying their best to shut down their sex-ed program during her last months in Africa.
Exotica, Erotica, Etc. (2015)
This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists' thoughts are rendered as inner monologues in voiceover, all set to striking documentary images.
Pink Floyd: Behind the Wall (2011)
This documentary looks at the conception, design and live shows of The Wall performed by Pink Floyd in 1980 and 1981. It features in-depth 1980s era interviews with Roger Waters, David Gilmour, Richard Wright and Nick Mason and shows footage of The Wall performed at Earl's Court in 1980. It also features archival footage of the Syd Barrett era Pink Floyd and discusses how David Gilmour was brought into the band to initially augment their live shows when Syd became unreliable due to his drug problem and how Gilmour ultimately replaced him.
Ugly, Me? (2013)
Ugly, Me? is a film manifesto made from a workshop for actors called Characters in Search of a Movie, in 'La pa', 'Rio De Janeiro', extended to Paris and 'Kerala' (India). Multifaceted like a kaleidoscope, the characters appear in multi-screens scenes and sequences. The images were captured with different kinds of cameras and Ugly, Me? uses this sign of the variety imposed by independent production as language experimentation. Transposing the boundaries of style, Ugly, Me? navigates in a sea of metaphors, philosophical and musical politics, from Prince Harry to Heraclitus, going through a series of authors like Rimbaud, Brecht, Nietzsche, Bispo do Rosario and Eduardo Viveiros DE Castro, capturing a contradictory and original country.
The Tsunami and the Cherry Blossom (2011)
On 11 March 2011, an earthquake caused a tsunami to hit the Tōhoku (Northeast) region of Japan. In this film, survivors of the tsunami rebuild as cherry blossom season begins. The film is a stunning visual haiku about the ephemeral nature of life–and of the healing power of Japan's most beloved flower.
We’re Not Broke (2012)
An exposé on how the government has allow U.S. corporations to avoid paying taxes and the growing wave of discontent that it has fostered.
West of Memphis (2012)
The documentary tells the hitherto unknown story behind an extraordinary and desperate fight to bring the truth to light. Told and made by those who lived it, the filmmakers' unprecedented access to the inner workings of the defense allows the film to show the investigation, research, and appeals process in a way that has never been seen before; revealing shocking and disturbing new information about a case that still haunts the American South.
All Eyes and Ears (2015)
A timely exploration into the complex links between the U.S. and China. Interspersed with remarks from journalists and experts, All Eyes and Ears interweaves the stories of U.S. Ambassador to China Jon Huntsman, his adopted Chinese daughter, Gracie Mei, and blind legal advocate Chen Guangcheng as they find purpose, identity and resolve amid the two nations’ evolving relationship.
Top Spin (2014)
Three teenagers battle their way through the world of competitive ping pong with their hearts set on the Olympics.
Eat This New York (2004)
Eat This New York is the story of two best friends' struggle to open a restaurant in the food capital of the world. As Billy Phelps and John McCormick suffer through financial crisis, the loss of their chef, and a crumbling relationship, the filmmakers turn the camera on New York City's legendary restaurateurs who prove that dreams can come true. Billy and John's gamble to open a restaurant together takes shape on Division Street, a unique block in Brooklyn that separates the Satmar Jewish community of Williamsburg from the Latino neighborhood of the South Side. During the course of a year, they convert a former check-cashing shop located under the elevated train tracks of the J/M/Z subway lines into a retro speakeasy. But before the restaurant is fully built they come close to bankruptcy and almost call it quits on their friendship.
Only the Strong Survive (2002)
A film featuring the veteran soul music artists and music of Stax Records.