In 1946, Isaac Woodard, a Black army sergeant on his way home to South Carolina after serving in WWII, was pulled from a bus for arguing with the driver. The local chief of police savagely beat him, leaving him unconscious and permanently blind. The shocking incident made national headlines and, when the police chief was acquitted by an all-white jury, the blatant injustice would change the course of American history. Based on Richard Gergel’s book Unexampled Courage, the film details how the crime led to the racial awakening of President Harry Truman, who desegregated federal offices and the military two years later. The event also ultimately set the stage for the Supreme Court’s landmark 1954 Brown v. Board of Education decision, which finally outlawed segregation in public schools and jumpstarted the modern civil rights movement.
The Good Terrorist (2016)
The story of anti-apartheid activist John Harris - who was hanged after a fatal bombing in Johannesburg in 1964 - told by those who knew him best and through newly discovered home movies.
Hidden Colors 4: The Religion of White Supremacy (2016)
Hidden Colors 4: The Religion Of White Supremacy is the latest follow up film to the critically acclaimed hit documentary series Hidden Colors. In this installment of the Hidden Colors series, the film explores topics such as: The motivation behind European global subjugation The history of rarely discussed vast West African empires How germ warfare is used on melanated people The history of slave breeding farms in America And much more.
Scandalize My Name: Stories from the Blacklist (1998)
A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.
Dark Girls (2011)
Documentary exploring the deep-seated biases and attitudes about skin color---particularly dark-skinned women, outside of and within the Black American culture.
Bus 174 (2002)
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.
In Delusion: Trump and the American Catastrophe (2020)
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.
Concerning Violence (2014)
Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.
The Scars (2019)
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
The Shadow of Hate: A History of Intolerance in America (1995)
The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.
The Man Card (2020)
For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.
American Promise (2013)
In 1999, filmmakers Joe Brewster and Michèle Stephenson turned the camera on themselves and began filming their five-year-old son, Idris, and his best friend, Seun, as they started kindergarten at the prestigious Dalton School just as the private institution was committing to diversify its student body. Their cameras continued to follow both families for another 12 years as the paths of the two boys diverged—one continued private school while the other pursued a very different route through the public education system.
Hillary's America: The Secret History of the Democratic Party (2016)
Bestselling author and influential filmmaker Dinesh D’Souza reveals the sordid truth about Hillary Clinton and the secret history of the Democratic Party. This important and controversial film releases at a critical time leading up to the 2016 Presidential campaign and challenges the state of American politics.
Savages: The Story of Human Zoos (2018)
For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.
Bittersweet (2023)
An oral history documentary of people of color at Miami University during its Public Ivy period—from 1970 to the early 2000s.
Black Indians: An American Story (2004)
James Earl Jones narrates this examination of the historical relationship between American Indians and African-Americans, who often merged their cultures to work and live together while mainstream white society shunned them. Through illuminating anecdotes and interviews, descendants of fused black and Indian families discuss the complications of their mixed heritage and how their culture was largely erased on official documents.
Carlo Giuliani, a Boy (2002)
The film recounts Carlo Giuliani’s day of July 20 and, parallel to it, the July 20 of the march of the ‘disobedients’, or the ‘white overalls’, among whose ranks Carlo died. An individual’s story is told in all its absolute concreteness, the friends he meets, the snack bar he goes to for a bite, the roll of scotch tape he picks up on the street; whereas a multitude’s story is told in all its epic tragedy, the night under the rain, the colossal preparation against the march, the advance behind shields, the attack of which the multitude was victim, the defense that gets organized.
Blue Eyed (1996)
In only 15 minutes with some 30 people Jane Elliott manages to build up a realistic microcosmos of society today with all its phenomena and feelings. As already known from the ill reputed Milgram experiment, even participants who knew the "rules" are unable to remain uninvolved. What starts as a game turns into cruel reality which causes some participants' emotions to erupt with unforeseen intensity