Armed with skulls, black makeup, wild outfits and high mohawks, this gothic trinity fights to gain control of and thus free themselves from their loneliness and inner demons as well as pressure from authorities, which they feel disturbed and controlled by. But one day, Josephine meets the beautiful guy, Jan, on Instagram and falls head over heels in love with him and the precious trio friendship is put to the test.
Related Movies
Sexual Freedom in Denmark (1970)
Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.
Armadillo (2010)
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
Into the Deep: The Submarine Murder Case (2020)
In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.
Drømmen om i Morgen (1945)
Social democracy propaganda film about future dreams for Denmark in 1960. Although Denmark is free again, the former opponent and worker, Svend, is disillusioned: "It is all something soft". The dream of the future is incarnated by a young woman, Karen, who shows Svend the visions of a better life in the 'youth's land'. There are homes and a nuclear-powered car for everyone.
The monk (2023)
When Danish filmmakers Mira Jargil and Christian Sønderby Jepsen try to find balance in their stressful lives, they seek guidance from a renowned Danish HIV researcher turned monk deep in the mountains of Sri Lanka. But their filming process goes differently than expected. When they hear that the renowned Danish doctor and HIV scientist Jan Erik Hansen has burned all boats to live as a Buddhist monk on a mountain in Sri Lanka, the two Danish documentary makers Mira Jargil and Christian Sønderby Jepsen decide to make a film about him. to make. Jan Erik Hansen, as monk Bhante, has become an important voice in the Buddhist community. He has a YouTube channel with many followers, and people from all over the world ask him their life questions. The film project ends unexpectedly when the monk and the filmmakers appear to have different ideas about the film.
In a Lion (2018)
On a particular day at a Danish zoo, a remarkable, mystic and unique attraction involving the body of a young lion awaits its spectator.
Mads Mikkelsen, Devil In The Flesh (2025)
Impassivity and silence are Mads Mikkelsen's trademarks, and roles without reply his specialty. His sculptural allure is such that his mere presence takes on a dramatic dimension. For him, everything starts with the body. It's his main working tool, which he shapes and engages for each film. For the majority of world audiences, the Danish actor remains associated with his "villain" characters in Hollywood blockbusters - Casino Royale, Doctor Strange, Hannibal, Fantastic Beasts... Yet he finds with uncommon ease a balance between major American film franchises and more modest, confidential independent films. If the actor manages to move from one universe to another without being stereotyped, it's because he has a very physical - thanks to his former career as a gymnast - and pragmatic approach to his art.
Silence of the Tides (2020)
The passage of time is spellbinding in this cinematic tour de force about the Wadden Sea. A film that inhales and exhales along with the tides as it explores the fragile relationship between man and nature.
What Is a Good Tax? (2019)
Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.
The Stranger (2017)
Amanda has found the perfect man online - he's kind, funny and the heir to one of the richest families in Denmark. She lets him into her home and life, but is he really who he says he is?
Bente gaar til Sygeplejen (1945)
A movie about the education for nurse told from Bente's perspective. She starts at the preschool at Rødkilde Højskole at Møn and comes from there to a hospital, where student time begins. After three years, Bente is trained and can get the nursing needle attached to the robe.
Indre mission (1986)
In the West Jutland village of Hanning, there is a small indremissionary community. How everyday life unfolds in such a religious environment is depicted through participation in church services, meetings in the mission house and visits to the villagers. They talk about temptations, their relationship with God and passing on their faith to the next generation.
Tommy (2010)
Tommy Seebach Mortensen; or just Tommy Seebach to the whole nation; were born in Copenhagen in 1949 and passed away far too early in 2003. "Tommy" received four stars out of six by Politiken,[6] Berlingske Tidende[7] and Ekstra Bladet;[8] B.T. awarded it six stars out of six.[9] Dagbladet Information described it as "... a story of an artist who became a victim of the musical genre which he himself had helped innovate, and who, instead of gaining the broad recognition he had longed for his entire life, ended up with a status somewhere in between national heritage and kitsch clown..."[10] Politiken called the film "worthy, worth seeing and moving", Ekstra Bladet "a moving portrait of a man caught between the music, his family and the bottle".