Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
This Rain Will Never Stop (2022)
This Rain Will Never Stop takes the audience on a powerful, visually arresting journey through humanity’s endless cycle of war and peace. The film follows 20-year-old Andriy Suleyman as he tries to secure a sustainable future while navigating the human toll of armed conflict. From the Syrian civil war to strife in Ukraine, Andriy’s existence is framed by the seemingly eternal flow of life and death.
A Word for Human (2019)
The library is a stronghold of humanism, but today libraries are more than places for borrowing books. At the Royal Library in the heart of Copenhagen, researchers and intermediaries work side by side with the library's visitors who come to read and study, but also to participate in talks, concerts, lectures and exhibitions that fill the halls all year round. This documentary looks behind the scenes in a year where Marina Abramovic and Olafur Eliasson contribute to the program, and where colonial history and climate change take center stage.
We Feed the World (2005)
A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
Light in the Darkness (2021)
Suffering from blindness since childhood, Tatay Ening continues his life pursuits from climbing bamboo shoots to selling bamboo coin banks alone in a city, kilometers away from his home. His light to the darkness keeps him safe during unimaginable times.
29 (2014)
In 2013, Selim Yildiz spent 29 days with Kurdish soldiers (PKK) and made his first documentary 29.
Kino Wien Film (2018)
A journey through Viennese cinemas, from the first showings by the brothers Lumière to modern megaplexes.
Binxet - Under the border (2017)
“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.
The Last Season: Shawaks (2009)
"The Last Season: Shawaks" revolves around an extended Shawak family whose life is marked by seasonal migration.
Mourning in Lod (2023)
MOURNING IN LOD, takes a microcosmic look at the Israeli-Palestinian conflict through Musa, Yigal, and Randa — three people whose fates become inextricably linked in a vicious cycle of violence. Lod/Lydd is a “mixed” city inhabited by Arabs and Jews who live side by side in a strained coexistence. In May 2021, two of these three people lost their lives and and one regained hers — thanks to an unlikely organ transplant. The outpouring of love, anger, forgiveness and sorrow that follows in their wake is a ray of light that offsets a collective state of mourning with no end in sight.
Posted by: İlhan Sami Çomak (2016)
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.
Translating Ulysses (2023)
Kawa Nemir is like a walking dictionary of the Kurdish language. He flees Turkey and takes refuge at Anne Frank's former house in Amsterdam. Will he be able to finish the translation of Ulysses and publish it?
Soldiers of Song (2024)
Ukrainian musicians of all genres, from metal to opera, transform their passion for music into devotion to their country in this moving documentary. Beginning on the very first day of the Russian invasion, Soldiers of Song documents how the lives of its cast of Ukrainian musicians have irrevocably changed and how they use their musical talents to support themselves and their communities. Using shocking footage from the frontlines, this film reminds us not only of the ongoing tragedies that continue to happen during this war, but also of the resilience of Ukraine and its cultural forces. Here music functions not only to lift the spirits of the soldiers, but also as a cultural export to raise awareness of the war, a tool for raising humanitarian and military funds, and a valuable cultural artifact for everyday Ukrainians to rally around and protect. The musician’s commitment to their craft reminds us of the real power art has and the impact of beauty under catastrophic circumstances.
Les Trésors de la Bibliothèque nationale de France (2020)
The National Library of France is the guardian of priceless treasures that tell our history, our illustrious thinkers, writers, scholars and artists. Telling the story of the exceptional treasures of the National Library of France is like opening a great history book rich in many twists and turns. Without the love of the kings of France for books and precious objects, this institution would never have seen the light of day. The story begins in the 14th century under the reign of a passionate writer, Charles V, who set up a library in his apartments in the Louvre. But it was not until the 17th century, and the reign of Louis XIV, a lover of the arts and letters, that the royal library took over its historic quarters in the rue Vivienne in Paris, which it still occupies.
Behind the Doors of Umberto Eco (2012)
Umberto Eco, the author of best-selling novels who passed away in February 2016, unveils the secrets behind his undertakings and novels.
The Void Inside (2020)
After getting caught in a fight, Vahid needs to sell one of his kidneys to avoid a prison sentence of many years. While waiting for the liberating call from a buyer, a wish for a better life starts to grow within him.
The Stateless Diplomat: Diana Apcar's Heroic Life (2018)
Diana Apcar, a 19th century Armenian writer living in Japan, becomes the de facto ambassador of a lost nation.
Caravan (2024)
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
Wild is the Spring (2021)
Through a series of vignettes from the ancient and war-torn Levant, WILD IS THE SPRING captures moments in the lives of diverse ethnic communities who struggle to survive when life descends into chaos.
Me voy. Me voy (2021)
December 31, 2015. The Valencian bookstore Valdeska closed its doors permanently after forty years of activity. The result of four years of monitoring and filming, these 31 minuts of run time are part of a book unread, unknown and undiscovered. "Me voy. Me voy" it's not the story of a bookstore, not the portrait of an exceptional bookseller, it's a will to attach the things in the filmed image, to make something lasting showing the moment of its disappearence.