Happy farmers, a wedding and some giant cauliflowers...
Related Movies
Millions Can Walk (2014)
Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.
An immersion into the Divine Feminine (2017)
By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.
Buzz (2025)
The anti-Slumdog Millionaire in documentary form, "Buzz" charts the tumultuous rise of India's most famous tattoo artist as he struggles to overcome the demons of his poverty-stricken childhood through art.
Modern Life (2008)
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
India Cabaret (1985)
An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.
Kolkata with Sue Perkins (2015)
Sue Perkins immerses herself in the complex life of Kolkata and sees how it is reinventing itself as a megacity with a reputation for eccentricity, culture and tolerance.
India: Introduction to Its History (1957)
This film describes the nature and impact of major religions in India, artistic monuments and contributions of each dynasty and cultural development of the people in different regions of the vast subcontinent.
By the River (2019)
Stretching along the river Ganges rests Varanasi, the holiest of India’s seven sacred cities, and a place where devout Hindus go to die in hopes of achieving moksha - becoming liberated from the cycle of rebirth. Hindu scriptures say that a soul has to undergo 8.4 million rebirths before reaching the human form, the only form one can attain moksha, and dying in Varanasi and being cremated along the banks of the river is believed to be the ideal way of achieving this. Several so-called ‘death hotels’ exist to accommodate believers who abandon their lives and come here in wait for death - some for as long as 40 years.
Seil und Tau Fabrikation in Howrah bei Kalkutta (1909)
A short film showing the industrial process of jute works in India.
Picturesque India or, In and About Calcutta (1913)
Botanical gardens in Bombay plus the highly decorative Jain Temple in Calcutta.
Plasticine Family (2016)
It is hard to find a family home where all the members have gone to live their separate lives in different parts of the world. Travelling between different continents, the director visits divorced parents and their new partners and also meets her sister who decided to join an alternative community. Their family exists on archival films and photographs only. Is it still possible to put it all together against all odds?
Ganges (2007)
A journey that follows the Ganges from its source deep within the Himalayas through to the fertile Bengal delta, exploring the natural and spiritual worlds of this sacred river.
The Last Maneater: Killer Tigers of India (2003)
Sunderbans (Forest of Beauty) is in West Bengal, India, and is the only place on Earth that is the natural habitat of Royal Bengal Tigers that have never known to be fearful of humans. One tiger has been known to kill three fully grown men, leaving behind orphans and widows who belong to poor tribes, dependent on harvesting wild honey and fishing, in a swampy mangrove region. About 80 people are killed annually by these ferocious beasts with razor-sharp jaws, whose forepaws can shatter bones, and sharp teeth can pierce a skull in one bite. Amidst religious superstitions, the narrator attempts to explain the cause behind their taste for human meat in a region devoid of electricity, roadways, firearms and safe drinking water, and why the villagers continue to live there despite of being stalked and mauled on land and water alike.
