This documentary / fund raiser film was produced in 1984 by the Hong Kong Salvation Army to raise sponsorship for their educational activities in the infamous Kowloon Walled City. The project was filmed in 16mm film.
Related Movies
Migrant Down the Rabbit Hole (2020)
The work documented the story of Yuli, a Hong Kong domestic worker from Indonesia. She is a novelist who won a literature award and also a journalist dedicated to writing. Between the social event that happened in June in Hong Kong, her thoughts and caring about the city are far more from what people used to imagine a narrative of a domestic worker. They are not only domestic workers but they also have other social roles, e.g. a citizen who lived in Hong Kong.
Do Not Split (2020)
The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.
Revolution of Our Times (2021)
Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.
Rebellion (2019)
As the 'one country two systems' policy in Hong Kong has slowly eroded, resentment among the territory's citizens has steadily grown. What began as a series of spontaneous protests against an extradition law in March 2019 has now escalated in to a full-blown popular uprising that shows no signs of abating. ABC Four Corners reports from the frontline of the action, capturing extraordinary footage of the growing tension and violence.
Follow Me (1969)
Documentary about two boys and a girl who travel to surfing spots around the world.
Be Water (2020)
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
YAYA (2018)
YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director
Memories to Choke On, Drinks to Wash Them Down (2019)
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
Comrades (2020)
Young people are protesting on the streets of Hong Kong in order to bring about change. Air soaked with tear gas, the dark uniforms and loud commands of the police officers in the colourful umbrella sea of the protesters. In the midst of the action, the film documents a brand new protest movement.
We Have Boots (2020)
The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.
Fishball Revolution (NaN)
An asylum seeker from Hong Kong builds a new life for himself in Glasgow, using his passion for street food to maintain his cultural identity.
Who's Afraid of Nathan Law? (2023)
Revolutionary at 21. Lawmaker at 23. Most Wanted at 26. With intimate access to the leaders of Hong Kong’s Umbrella Revolution, Who is Afraid of Nathan Law? chronicles one of the world’s most famous dissidents in his fight for democracy against a superpower.
Snowden's Great Escape (2015)
Tells the story of how Edward Snowden managed to evade capture by the US. For the first time Snowden tells the story of how he managed to escape so that not to have to spend the rest of his life in an American prison.
TAEYEON's Frozen Journey (2024)
Rising beyond K-pop to become Asia's ultimate diva, TAEYEON explores the World of Frozen at Hong Kong Disneyland. Step into the enchanting world and engage in the stories with TAEYEON, who has drawn endless inspiration from Disney since childhood and now captivates audiences as a dream-weaving singer. From lovable characters to scenic winter landscapes, every aspect feels like a fairy tale come to life. Get immersed in the captivating World of Frozen and hear TAEYEON's behind-the-scenes tales of this beloved story.
The Lovers and the Despot (2016)
Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il.
Be Water (2020)
The documentary “Be Water” records the clash in West Kowloon on 20th October, 2019. Police issued objection notice to the march protest organised by Civil Human Rights Front. The march eventually turns into a clash. Protestors flowed like water, disperse and re-assemble while contending the police.
Heiße Ware aus Hong Kong (1973)
Made for German TV documentary about the early craze of Hong Kong Martial Arts Cinema. While critical on the subject and not too well informed, it nevertheless offers some interesting insights into the Hong Kong film industry of that days.
Cinema Hong Kong: Kung Fu (2003)
Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).
A Savage Christmas: The Fall of Hong Kong (1992)
The documentary, using the dramatization of fact, makes the case that the Canadian government knowingly sent two unprepared infantry battalions to help defend Hong Kong in late 1941, fully aware that they may have been on a doomed mission. The C Force, consisting of about 2000 soldiers from the Winnipeg Grenadiers and the Royal Rifles of Canada (from Quebec City) were, with the other British, Indian and Hong Kong troops, attacked on December 8, 1941 and overwhelmed by Japanese troops, leading to numerous casualties and the surrender on Christmas day. The Canadians would spend more than 3 and half years as prisoners of war, in horrible conditions. Part of "The Valour and the Horror" mini series.
The Inspired Island: My City (2015)
Poet and author Xi Xi is one of Hong Kong's most treasured writers. Though also acclaimed in Taiwan and mainland China for seminal works like the essay Shops, her writings are firmly rooted in the spirit of Hong Kong. Leave it to Fruit Chan, another staunchly grassroots auteur, to make a documentary on Xi Xi's career. Chan sought out renowned critics and writers to discuss Xi Xi's works, starting with 1979's My City. He also juxtaposes photos of a changing Hong Kong with readings of her writings, and even playfully inserts characters from her stories into the film.