Georges Duroy travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession.
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The hotel Chateau de la Reine is located in Paris, France and it is considered the finest hotel there. The hotel has been in existence for 300 years. Tourists from all around the world want to stay at the Chateau de la Reine. A travel agency, which is teetering on bankruptcy, devises a plan to revive their company. They want to offer suite rooms at the Chateau de la Reine for night and day periods. The plan appears perfect, but the tourists who made reservations have tempers.
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Gifted but hot-headed sculptor Eric has a stormy, erotic, and star-crossed romance with a beautiful young woman named Olga.
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The Tobacconist (2018)
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Hazal is 17 and lives in Berlin. Her biggest wish: to be given a chance. For her 18th birthday she wants to escape the everyday grind and party with her friends. But an incident changes everything. Hazal is forced to flee.
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Charley Varrick robs a bank in a small town with his friends, but instead of obtaining a small amount of money, they discover they stole a very large amount of money belonging to the mob. Charley must now come up with a plan to not only evade the police but the mob as well.
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Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.
Woman Walks Ahead (2018)
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In 1930s Alabama, nine young black men are accused of raping two white women. The judge in the case, unlike the rest of the town, comes to believe that the boys are innocent and, against all advice from his friends and family, sets them free, which turns the entire community against him.
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Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).
