Your Monster (2020)
Nothing is going right for Laura. Sick and brokenhearted, she moves back home and finds that the terrifying monster who inhabited her closet as a kid is still alive and well -- and wants to talk about life.
He (2022)
A story told in four parts, "He" explores the swell of poetic love and the breathless aftermath of its heartache.
The Sexual Monologues (2011)
A chain of people connected by desire. They are all looking for the one – talking about sex and chasing love. They know what they want, but will they ever get it?
From the Reports of Security Guards & Patrol Services – Part Eight (1986)
Here is the third and last of three self-contained shorts by Helke Sander from her series of shorts entitled From the Reports of Security Guards & Patrol Services . BTW the numbering of the parts is a bit confusing, the only existing parts of the series are No. 1,5 and 8.
The Basilisks (1963)
The uneventful lives of three young men who live in a small, poverty-stricken village in southern Italy.
Origin (2023)
While investigating the global phenomenon of caste and its dark influence on society, a journalist faces unfathomable personal loss and uncovers the beauty of human resilience.
Summer Games (1995)
18 year old Éric, on vacation in the South with his parents, decides to escape the stifling situation especially with his 50 year old father, and join a group of fellow youth.
Aquaplaning (1987)
A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.
Fake Me A Happy New Year (2012)
Anita and her children, Santa and Kristaps, live in an apartment in Riga. Every year, they celebrate New Year’s Eve with grandma, uncle Peter and a feast fit for kings…
Die Lizenz (2017)
After two years of waiting, Adam and Ellas first part of the application for a „licence to procreate“ has been successfully reviewed. To complete the process, the request is followed up with an obligatory and final interview in the intimacy of their home. Their fate is now in the hands of the government clerk Gudrun Paschke.
Tékasztorik (2017)
Bihari made under "Directions Stories" blog by Victoria Comedy / Romko, which Viku try to find life (big) one love
A Million Miles Away (2014)
An adult woman (the conductor) on the edge of failing and a pack of teenage girls (the choir) simultaneously experience a supernatural version of coming-of-age. The transformation is equal parts tense and tender. It unravels patiently to the infectious beat of an 80s era heavy metal anthem rearranged as a lamentation.
Into the Blue (2017)
Thirteen year old Julija and her mother flee their abusive household to find refuge on an idyllic Croatian island where Julija grew up. Emotionally scarred, Julija is desperate to reconnect with her best friend, Ana. But Ana is in love with a boy and Julija is no longer a priority.
Koma (2009)
Kawase explores the fragile and often tense history between Korea and Japan through the relationship that develops between a third generation Korean-Japanese man, who unexpectedly visits the small and quiet village of Koma, and a Japanese woman, a somewhat mysterious inhabitant of the village.
Good Luck to You, Leo Grande (2022)
Nancy Stokes, a retired schoolteacher, is pretty sure she has never had good sex. Now that her husband has died, she is determined to take a tour of sexual vistas that until now she has only imagined. She even has a plan; it involves an anonymous hotel room, and a sex worker who calls himself Leo Grande.
The Good Time Girls (1981)
The oil rigs provide rich pickings for those who work on them, but for wives isolated from husbands affluence is not enough.
Roy Cohn/Jack Smith (1995)
When Jill Godmilow’s documentary Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.