In What Makes a Woman, Munroe Bergdorf sets out to explore the changing world of gender and identity by way of her very own, very personal journey. Showing her in quiet, intimate, and extremely vulnerable moments. An honest insight into gender identity, Bergdorf prepares for a life-changing facial surgery, helping her finally picture herself as a woman.
Undressing My Mother (2004)
The filmmaker's mother, Ethel Wardrop, talks about her own body and the role it played in her loving relationship with her dear husband.

The Dollhouse (2017)
Kyra Gardner's loving tribute to growing up in the world of the psycho killer doll, Chucky.

I will make up a song and sing it in a theatre with the night air above my head (2019)
Egypt's only modernist architect Hassan Fathy (1900-1989) was committed to ecology and sustainability in his architecture. This film takes us with slow steps, in still images, to two villages he created. Fathy's historically grounded, forward-looking designs prompt us to reflect on the past as well as contemplate new solutions for the future.

My Grandmother’s Tipi (2025)
“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.

The Return of the Living Dead: The Decade of Darkness (2007)
A look at the horror movies of the 1980's.
Viva Stalin (1994)
A village meeting in communist Russia to pay homage to Stalin leads to a gossip marathon, which develops into an endurance test for the participants.

Tabaki (2002)
Bahman Kiarostami's charming documentary about mourners-for-hire who are called upon to attend funerals in Iran. With an understated, lighthearted style, Tabaki provides a fascinating view of a peculiar occupation within this religious culture, offering, in the process, an insightful portrait of the society as a whole.

Ocean Wonderland 3D (2003)
Shot on the Great Barrier Reef in Australia and in the Bahamas, Ocean Wonderland brings to you the amazing beauty of the many varieties of coral and the immense diversity of the marine life thriving there.

The Celluloid Closet (1996)
Exuberant, eye-opening movie that serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Film contains fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s.

Donosti 2730 (2024)
A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.

The Sex Changes That Made History (2015)
Sex reassignment surgery is now almost a commonplace procedure, but back in the early 20th century, it was seen as 'science fiction surgery'. When the news broke of a successful first attempt, it was a sensation. This is the gripping story of three extraordinary people: the world's first person to undergo a female to male transition; the former Spitfire pilot who became Britain's first to transition from male to female; and the daring advanced plastic surgeon who carried out these surgeries in the 1940s. Michael Dillon - previously named Laura - had persuaded the brilliant Sir Harold Gillies, the founding father of plastic surgery, to carry out the female-to-male operation that no surgeon in the world had ever attempted. Both then helped former race car driver and wartime pilot Robert Cowell undertake their own transition.

Untitled Sequence of Gaps (2020)
An essay film approaching trauma-related memory loss via reflections on light outside the visible spectrum – on what is felt but never seen.

Life After (2024)
Life After opens the dialogue surrounding grief and how we experience it. Through conversations with Nicola Winstanley and Carmen Galavan about what grief is and how it affects us, we learn what it really means to live a life after.

Afrique 50 (1950)
The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.