Still healing from her grandmother’s death, Addison Moore finds herself checking into The Copper Queen Hotel in Bisbee, Arizona. Aware of the ghost stories and hauntings, Addison fearlessly elects to stay in Room 315, the location of the heartbroken Julia Lowell’s death a century ago.
Mr. Wu (1918)
Operette-like oriental fantasy about a forbidden love between en english boy and a chinese girl.
Death of a Salesman (2000)
An aging salesman is fired from his job after a long career in it. Broken, without much to look forward to, he tries reconnecting with his wife and kids who he had always put down as he dedicated himself to work.
Mayhem (2017)
A virus spreads through an office complex causing white collar workers to act out their worst impulses.
Psychopaths (2017)
An executed serial killer, an escaped mental patient, a beautiful seductress, a crazed strangler, and a masked murderer unleash blood-soaked mayhem over the course of one night.
An American Affair (2008)
In the early 1960s, teenager Adam Stafford (Cameron Bright) becomes obsessed with his new neighbor, Catherine Caswell (Gretchen Mol), a divorcée and free spirit. Stafford spies on Caswell as she meets with strange men, and, despite the warnings of his conservative parents, he begins working for her as a gardener. Amid rumors of her affair with President Kennedy, the two become close, but political intrigue surrounding her acquaintances soon infringes on their friendship.
Stephanie Daley (2007)
Stephanie collapses in a pool of blood while on a school skiing trip. A doctor discovers that the blood is the after-effects of giving birth. Soon afterward, the body of a newborn baby is found in a toilet, its mouth blocked with toilet paper. Despite Stephanie's insistence that her child was stillborn and that she had no idea that she was pregnant, she is arrested for the murder of the child.
The Bird with the Crystal Plumage (1970)
An American writer living in Rome witnesses an attempted murder that is connected to an ongoing killing spree in the city, and conducts his own investigation despite himself and his girlfriend being targeted by the killer.
Cemetery Without Crosses (1969)
Ruthlessly pursued by the Rogers family following a dispute over cattle, Ben Caine (Benito Stefanelli) is chased back to the Caine Ranch. Despite his wife Maria's (Michèle Mercier) desperate pleading, the Rogers family hangs Ben Caine, forcing Maria to watch. Consumed with revenge but finding her two brothers-in-law reluctant to assist, Maria enlists the help of Manuel (Robert Hossein). Manual, presumably preoccupied with the past, wears a single black glove and lives alone in a ghost town. Manuel agrees to Maria's plan with reluctance, in part because of his deep feelings/attraction to her. Manuel finds employment as foreman at the Rogers' ranch and surreptitiously kidnaps Pa Rogers' (Daniele Vargas) only daughter Johanna (Anne-Marie Balin). With Johanna as the bait, Maria will be in the perfect position to exact her revenge on the Rogers but things don't turn out quite as planned.
Chandni Bar (2001)
The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.
Yield to the Night (1956)
Locked in her cell, a murderer reflects on the events that have led her to death row.
The Handmaid's Tale (1990)
In a dystopian, polluted right-wing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.
Ilsa: She Wolf of the SS (1975)
Ilsa, a warden at a Nazi death camp that conducts experiments on prisoners, strives to prove that women can withstand more pain and suffering than men, and therefore should be allowed to fight on the frontlines.
Blown Away (1993)
After her mother is killed by a car bomb, a 17-year-old girl lives a reckless and decadent lifestyle. She begins having sex with a boy who works at a local ski resort. He falls in love, and she tells him of her suspicions that her strict father was responsible for her mother's death and wants him to help her out of her situation. He must decide whether she's telling the truth or using him to her own ends.
Redemption of Sin (2024)
After a tragic accident that killed her mother and left her daughter Nirmala missing, Wening embarks on a desperate search for Nirmala, enlisting the help of a podcaster, a Japanese researcher, and a shaman, all while haunted by her mother’s ghost and dark secrets from her past.
Stowaway (1932)
On her first night as a dockside dancer, Mary Foster loses her job when she tries to fend of the advances of first mate Groder. On the street and being pursued by a Policeman who thinks she is a prostitute, Mary seeks shelter on an old freighter. She is soon discovered by second mate Tommy and they quickly fall in love, but with first mate Groder lurking around will their lives work out in the end?
Cornered (1932)
Shortly after Moody Pierson saves Sheriff Tim's life, Moody is arrested for murder. Tim doesn't believe he did it and lets him get away. Kicked out as Sheriff, Tim goes after the real kiler and this leads him to the town controlled by Red Slavins.
Silent Witness (1943)
District Attorney Holden and his special investigator Betty Higgins are trying to convict brothers Joe and Lou Manson, silk-racket hoods, after they are indicted for murder.
Unwelcome (2023)
Londoners Maya and Jamie escape their urban nightmare to the tranquility of rural Ireland only to discover malevolent, murderous goblins lurking in the gnarled, ancient wood at the foot of their new garden. When heavily pregnant Maya’s relationship with a local family turns sour, who – or what – will come to her rescue and to what extremes will she go to protect her unborn child?
The Important Witness (1933)
A freelance stenographer is hired for a job, but when she arrives at the address she was given, she finds that a murder has taken place there--and she is arrested for it.
Lucia di Lammermoor (1983)
This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)