A feature documentary presented and directed by former Royal Marines Commando Emile Ghessen. The documentary tells the story of the 2020 war between Armenia and Azerbaijan over the disputed region of Nagorno Karabakh. In the fall of 2020, Armenia and Azerbaijan fought a brutal bloody war. Azerbaijan won, decisively. The feature documentary 45 Days: The Fight for a Nation tells the story of this conflict, from the Armenian perspective, focusing on the human cost of war and its impact on the large Armenian diaspora.
Someone Else's War (2019)
Parents try to understand why their children traveled from Britain to join the Kurdish army in their fight against Isis, in Syria, where they died fighting fighting someone else's war.
A Story of Home (2022)
As a result of the second Karabakh war, a village should be ceded to Azerbaijan since a new highway is built through the Lachin corridor. The family of Narine, like many other Armenian families, needs to find a new place.
Carriage (2016)
In the capital of Ingushetia, at the memorial, there is a carriage. This is a carriage from the 40s, a carriage of memory. One of those in which the Ingush were transported back in 1944 to Kazakhstan and Central Asia. February 23 is the day when the whole country celebrates Defender of the Fatherland Day; mourning takes place in Ingushetia. And on this day, the old people gathered in this carriage to remember and tell each other how it was.
Newfoundland at Armageddon (2016)
On July 1st, 1916, the Newfoundland Regiment took part in a massive First World War offensive on the Somme, led by the British. At Beaumont Hamel the regiment was nearly wiped out, as only 110 of 780 soldiers survived the day. To commemorate its 100th anniversary, Brian McKenna’s documentary film tells the story of this epic tragedy. Using a technique that brings new meaning to reenactment, McKenna recruits descendants of soldiers who fought this battle, offering them a unique opportunity to relive the experience of their ancestors in trenches built specifically for the film.
In Desperate Battle: Normandy 1944 (1992)
A documentary, using dramatization of fact, that examines the Battle of Verrières Ridge, where on July 25, 1944 and not long after D-Day, an inexperienced battalion of the Canadian Black Watch Regiment launched a doomed attack and was defeated with heavy casualties by veteran German SS troops. Part of "The Valour and the Horror" mini series.
Goering: Nazi Number One (2020)
This is the story of an incredible rise to power, the most comprehensive documentary on Hermann Goering ever made. He was a man of many faces: vain, ambitious, more brutal than any other of Hitler's minions, yet the most popular Nazi official of all, at times even more popular than Hitler himself. He embodied the jovial side of the Third Reich. Yet the same man who organised dissolute bacchanals also founded the Gestapo, set up the first concentration camps, and had his own comrades murdered in the purge of 1934. These unique personal records form the largest and most important single film find from the Nazi era in past years.
Flight Dance Live (2023)
Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.
Caparrós. Las botas del entrenador (2024)
Year 2021. Veteran coach Joaquín Caparrós leads the Armenian National Football Team. 5,000 km away from his native Utrera and in just one year, he has become a hero for a country at war.
1341 Frames of Love and War (2023)
Israel's most celebrated war photographer, Micha Bar-Am, unfolds his extraordinary archive of over half a million negatives. A life devoted to recording a conflict for the prestigious Magnum agency.
My Father, Nour and I (2023)
After twenty years, Wiam Al Zabari starts a conversation with his father. Why did they flee from Iraq? Why was that never discussed? Will he be able to let go of the past and embrace a Dutch future?
Ukraine: Enemy in the Woods (2024)
A revealing and moving portrait of lives compromised by war, filmed exclusively by Ukrainian soldiers with extraordinary access to a tightly-controlled frontline.
This is Not a Game (2021)
Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?
America Today (1934)
One of the key works in creating the American social documentary film, this 1934 newsreel compilation crams a lot of information into just 11 minutes. Skillfully edited, the picture captures a panorama of international events centered on the labor movement. Scenes include Mussolini, Hitler and FDR preparing for war, Nazi soldiers persecuting German Jews, a political strike in Paris, the Scottsboro demonstration in Washington, DC, police violence against striking steelworkers in Pennsylvania and union members stopping scab workers from delivering milk during a dairy farmers strike in Wisconsin. Under the direction of pioneering documentarian Leo Hurwitz, the images are edited together to create a powerful image of a world that, in his view, desperately needed radical change.