Conservation groups, First Nations, and scientists come together in this timely short film, as a decades-long battle to protect endangered old-growth forests in BC escalates at Fairy Creek (the last unprotected, intact valley on southern Vancouver Island). The film explores the characters’ individual relationships with ancient forests, and why it’s imperative we collectively protect them. It touches on potential solutions, like a transition away from old-growth in the future of logging, and Indigenous sovereignty.
Related Movies
Mauna Kea: Temple Under Siege (2005)
Although the mountain volcano Mauna Kea last erupted around 4,000 years ago, it is still hot today, the center of a burning controversy over whether its summit should be used for astronomical observatories or preserved as a cultural landscape sacred to the Hawaiian people. For five years the documentary production team Nā Maka o ka 'Āina ("the eyes of the land") captured on video the seasonal moods of Mauna Kea's unique 14,000-foot summit, the richly varied ecosystems that extend from sea level to alpine zone, the legends and stories that reveal the mountain's geologic and cultural history, and the political turbulence surrounding the efforts to protect the most significant temple in the islands: the mountain itself.
The Sounds of 7am (2023)
This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.
The Living Stone (1958)
The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.
The Crying Fields (2019)
A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.
Our Maternal Home (2024)
Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.
Before the Flood (2016)
A look at how climate change affects our environment and what society can do to prevent the demise of endangered species, ecosystems, and native communities across the planet.
What Killed the Whale? (2022)
In this critical investigation into the most arresting victims of the climate emergency, biologist Ella Al-Shamahi joins a specialist autopsy into the death of a 40-foot sei whale, which washed up near Edinburgh. Across the 90-minute single doc, Ella sets out to uncover why whales are dying in record numbers and whether or not the crisis is man-made.
The Great Fog of 1952 (2023)
In the 1950s, a devastating fog descended on London and enveloped the capital for several days, leaving Londoners lost in their own streets in one of the UK's biggest peacetime catastrophes.
No Address (1988)
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
Red Fever (2024)
Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.
One Book at a Time (2020)
Sarah Kamya is a school counselor in New York City. She began the project Little Diverse Libraries on June 3rd and has already raised over $13,000, supported black owned bookstores, and has distributed 775 books to Little Free Libraries across all 50 states. Sarah is helping educate communities while most importantly amplifying and empowering black voices.
Fast Horse (2018)
The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with secondhand horses and a new jockey on his way to challenging the best riders in the Blackfoot Confederacy.
Return: Native American Women Reclaim Foodways for Health & Spirit (2019)
Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.
Troubled Waters: A Turtle's Tale (2019)
Exploring the impact of human behavior on our environment from the perspective of one of South Florida's most beloved and fragile underwater creatures: the sea turtle. A critical look at the effects of global warming, water pollution, and our "throw-away" plastic lifestyle on this keystone species...and inevitably ourselves.
Daughter of a Lost Bird (2021)
What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.
Radio Bikini (1988)
It starts with a live radio broadcast from the Bikini Atoll a few days before it is annihilated by a nuclear test. Shows great footage from these times and tells the story of the US Navy Sailors who were exposed to radioactive fallout. One interviewed sailor suffered grotesquely swollen limbs and he is shown being interviewed with enormous left arm and hand.
Deadly Deception: General Electric, Nuclear Weapons and Our Environment (1991)
This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.
Tinkebell - Who Killed the Blue Bird? (2024)
Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?
Incident at Restigouche (1984)
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
Koyaanisqatsi (1983)
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.