How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
To Die For (1995)
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Caterpillar (1988)
A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
River of Fundament (2014)
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
The Heart of the Wise Lives in the House of Sorrow (2009)
A surreal satire about a philosophy student who takes a job as a gravedigger while suffering an existential crisis.
The Proposal (2012)
Mike has set up a video camera to capture the big moment, when he proposes to his girlfriend Abi. But it isn't too long until they realize they are not alone in the house.
Red Woods (2021)
A group of urbex enthusiasts travel to the backwoods of Appalachia to capture footage of abandoned houses, when they unwittingly become the subjects of a much darker video - made by a different kind of "enthusiast".
Anna Ishibashi: The Missing Actress (2012)
Spin-off short story of the "Senritsu Kaiki File Kowasugi!" series, which is set after FILE-02.
Untitled Mockumentary Comedy (2025)
Three student filmmakers set out to capture each other's inner life struggles in an avant-garde documentary, but as the lens turns inward and time begins to lose meaning, they drift into an existential spiral of insanity—where memory fractures, selves unravel, and nothing remains quite real.
Adam's Apples (2005)
A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.
Blow-Up (1966)
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
American Psycho (2000)
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
The Legend of Boggy Creek (1972)
A documentary-style drama based on true accounts of the Fouke Monster in Arkansas.
Flesh in Turmoil (2023)
The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.
The Green Ray (2017)
A Green Ray that never features. Instead, we sense it, seeing beyond our own eyes, beyond the hills, we sense it for an instant. We are plunged into the unknowable, beyond the horizon, beyond seeing altogether. In a single, virtuoso 11 minute take, Barley takes us from lush sunsets. to beyond the green ray, and into the gloaming, into the heavy night's darkness, where we, transfixed, can do nothing but await the impending storm.
Diet Coke Queen (2024)
An hard work = awards fable for the young hearted of the 2020’s. Long live those who take the right path of aspartame.
All Superheroes Must Die 2: The Last Superhero (2016)
In a no holds barred documentary, acclaimed journalist Vicky O'Neil sets out on a quest to uncover the truth behind the murder of small town sweetheart Ally Andrews. What she uncovers, leads her down a dark and twisted rabbit hole into the world of superheroes where she gets the chance of a lifetime, an exclusive interview with Charge, the world's Last Superhero. As he chronicles his mysterious origins and bloody career, Vicky begins to wonder, is he still the hero the world remembers, or has he become the villain we all should fear?
Guaret (2024)
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
The Alien Autopsy (1995)
A hoax video purporting to be footage of an autopsy conducted on one of the aliens who crashlanded in Roswell, New Mexico in 1947.
Heat (1972)
Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.