If you’ve seen Top Gun or Transformers, you may have wondered: Does all of that military machinery on screen come with strings attached? Does the military actually get a crack at the script? With the release of a vast new trove of internal government documents, the answers have come into sharp focus: the US military has exercised editorial control over thousands of films and television programs. As these activities gain new public scrutiny, new questions arise: How have they managed to fly under the radar for so long? And where do we go from here?
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Richard Doty is a former Air Force Intelligence operative whose job at Kirtland AFB in New Mexico involved creating and disseminating disinformation about the existence of extraterrestrial spacecraft to UFO researchers. In the late 1970s and early 1980s, Kirtland AFB was home to a wide range of highly classified technology experiments involving lasers, stealth aircraft, and nuclear weapons. Strange phenomena in the skies above the base piqued the interest of amateur and professional UFO investigators. Doty’s job was to recruit UFO researchers to be informants to the Air Force about goings-on in the UFO community and to spread military disinformation about UFOs among their peers. To accomplish this, Doty supplied fake documents to UFO investigators purporting to tell the “truth” about government involvement with extraterrestrials.
La Bataille d'Alger, l'empreinte (2018)
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
Inchiodato (2005)
In northern Albania, ancestral customs still exist, governing the laws of vendetta between families. Sometimes, for generations, an old feud has pitted two clans against each other, condemning them to take turns murdering a member of the opposing family. This blood code, known as the Kanoun, has painful consequences for many Albanians, who are condemned to live in seclusion to avoid being killed.
9/11 (2002)
An on-the-scene documentary following the events of September 11, 2001 from an insider's view, through the lens of two French filmmakers who simply set out to make a movie about a rookie NYC fireman and ended up filming the tragic event that changed our lives forever.
Victorian Britain on Film (2021)
Offers audiences a unique window into a bygone era when a thrilling new invention, the motion picture camera, first captures a nation on film.
Forbidden Films (2014)
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.
Prüdes Hollywood - Laster, Lust und Leidenschaft im Film (2025)
In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.
For a Fistful of Fries (2022)
For several days, a team of police officers (backed by Judge Anne Gruwez, the revelation from their previous So Help Me God) sift through the evidence in a murder case that’s tougher than it appears. Jean Libon and Yves Hinant lead a police investigation unlike anything you’ve ever seen. With every banal turn of events, camaraderie and professionalism go hand in hand as humour meets tragedy and a handful of fries, a Tupperware container and St. Rita heighten the suspense. Hilariously scathing, yet filled with tenderness.
Cathedrals (2025)
In CATHEDRALS, filmmaker Dan Algrant embarks on a journey to reconnect with two black collaborators from a film made nearly 50 years ago. CATHEDRALS becomes a powerful exploration of the bonds that tie us together and the experiences that shape our identities. Through the lens of a creative collaboration, the film illuminates the struggles and triumphs that define life in a close-knit community, ultimately reaffirming the importance of human connection and the power of collective memory.
Nixon by Nixon: In His Own Words (2014)
From 1971 to 1973, Richard Nixon secretly recorded his private conversations in the White House. This film chronicles the content of those tapes, which include Nixon's conversations on the war in Vietnam, the Pentagon Papers leak, his Supreme Court appointments, and more--while also exposing shocking statements he made about women, people of color, Jews, and the media.
Minerva (2021)
Severely battered from the Beirut Port Explosion on August 4th, Minerva passed away eight days later. Her son Joseph, while still grieving for his loss, sunk into a long and absurd bureaucratic path through the inept system that disowned his mother as a victim of the blast. Minerva is gone. The explosion has snatched her soul, and the city walls have not yet recognized her as a martyr. There is no poster of her smiling face among those of the victims. Their faces are memories that will haunt us for the rest of our lives. Perhaps her son, devastated by her passing, seeks to etch her image into the city's memory. Perhaps he is seeking some confession to the crime. This is a place that casts out its children, whether dead or alive.
Tooth and Nail (2025)
Two filmmakers follow a businessman turned eco-activist as he exposes Romania's timber mafia. Their journey takes a dramatic turn when, in the middle of a forest, the three are attacked by a group of 12 angry men. The cameras are destroyed, and all footage is lost. Faced with this harsh reality, each of them tries to manage the situation as best they can, confronting their own doubts and limitations.
Zeitgeist: The Movie (2007)
A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.
Enron: The Smartest Guys in the Room (2005)
A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.
The Fantastic (2021)
In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.
This Film Is Not Yet Rated (2006)
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.
Zeitgeist: Addendum (2008)
Zeitgeist: Addendum premiered at the 5th Annual Artivist Film Festival. Director Peter Joseph stated: "The failure of our world to resolve the issues of war, poverty, and corruption, rests within a gross ignorance about what guides human behavior to begin with. It address the true source of the instability in our society, while offering the only fundamental, long-term solution."
Deshilando Luz (2025)
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
