An experimental music film based on the eponymous album, created in a form of a collage of various videos, found footage, movie clips etc.
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Automaton (2020)
The quick response of a body in social isolation. The dancer moves alone in the living room of her apartment and expresses her feelings in the face of quarantine. A solo choreography of the automatic desires of a body that needs movement.
The Return (2023)
One comes to Earth after a few decades in space. But what if there is no Earth anymore? What if the only thing left of all the cities and countries are smouldering remains and radiating dust in the air?
TV WAR (1986)
Performed live on September 15th, 1985 on the SONY JumboTRON at Tsukuba Expo, Tukuba, Japan
REAL EYES REALIZE REAL LIES (2022)
The visual language for REAL EYES REALIZE REAL LIES is a spectrum of color, texture, and emotion that skirts the line between modern nostalgia, and contemporary visual vernacular. Taking place in rural Kansas, we peak into the lives of typical youth that have nothing else to do. Each vignette takes on & pays homage to different textures of the early 2000’s childhood: VHS memories, Sunday morning cartoons, skate videos on dvd, old family super8 films and Reality TV. The spirit of REAL EYES REALIZE REAL LIES is one of rebellion & angst, but also one of a constant search for joy and meaning. We represent this emotional balance through many varied mediums - in search of capturing the whole of childhood.
Negativland: Our Favorite Things (2007)
Our Favorite Things is a new DVD/CD release from reigning Kulture Kut-up Kings Negativland. Twenty-seven years of the group's "greatest hits" have become all-new moving pictures in this amazing, years-in-the-making package. Created with 18 other filmmakers from all over the USA (and one a capella group from Detroit), Our Favorite Things is a collaborative project that takes Negativland's sound explorations into the world of film and video. What emerges is a darkly cracked look at 21st century America, juxtaposing paranoia, torture, control, power, weapons, fear, suicide, cola wars, mental illness, and intellectual property issues with the lighter side of dopey advertising, cartoon characters, cleaning products and Jesus.
Negativland: No Other Possibility (1989)
In an effort to cure her smoking habit a middle-aged woman discovers that she can communicate with her long lost son while watching a Halloween safety program on TV. After suffering a nervous breakdown, her husband, a used car salesman, is revitalized when he travels back in time to drive the first car he ever sold. Seventeen years later a powerful canned food manufacturer crashes the same car into a toaster truck while endorsing a brand of yams on live TV. At the funeral his clergyman experiences a crisis of faith when he and a lifelike Mexican continue their search for a married couple who have befriended an insect who enjoys drinking lime soda. They later meet a young man whose bizarre murder scheme involves four innocent members of an experimental rock band who have all given up smoking.
Between Science and Garbage (2004)
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
Dracula of Exarcheia (1983)
A mad scientist creates the band Music Brigades from body parts of dead musicians.
Moonlight People (2019)
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
The Flesh of Another (2022)
Two forever intertwined lovers, Edwin and Rosko, recollect on their long spanning relationship. What seems like a normal healthy relationship is revealed to have a dark brewing secret underneath. They explore their sexuality together but everything changes once they begin to taste the flesh of another...
Braverman's Condensed Cream of the Beatles (1974)
Photos, animation, and music illustrate the story of the Beatles.
EGGspression (2023)
Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
Dance Fight Love Die: With Mikis On the Road (2017)
An intimate look into the life of composer Mikis Theodorakis from 1987 until 2017: comprising three decades, four continents, 100 locations and 600 hours of film material. The film interweaves personal moments with archive footage, documentary recordings and fictional pieces, all accompanied by Theodorakis’ music in jazz, classic, electro and rap versions.
What We Started (2018)
Bert Marcus and Cyrus Saidi present an informed and absorbing exploration of the history of EDM, boosted by an energetic soundtrack and anchored by the personal stories of legendary DJ Carl Cox and superstar newcomer Martin Garrix. Insights from numerous other DJs and musical talents like Moby, David Guetta, Paul Oakenfold and Usher help tell the often oppositional tales of old school vs. new school and mainstream vs. underground.
Global Groove (1973)
Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.
