The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.
Phantasia (2024)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Moog (2004)
Best known as the inventor of the Moog synthesizer, Robert Moog was an American pioneer of electronic music, and shaped musical culture with some of the most inspiring electronic instruments ever created. This "compelling documentary portrait of a provocative, thoughtful and deeply sympathetic figure" (New York Times) peeks into the inventor's mind and the worldwide phenomenon he fomented.
Picture My Face: The Story Of Teenage Head (2020)
Legendary Canadian glamour-punk band "Teenage Head" is determined to enter the limelight once again some 40 years after causing the notorious punk rock riots during the summer of 1980 in Toronto. But first they need to save the band's founding member from a debilitating depression.
GUTTER: Girls of Noise (2008)
In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.
What Difference Does It Make? (2014)
A documentary that explores the challenges that a life in music can bring.
Girl Groups: The Story of a Sound (1982)
A look back at the girl-group craze of the 60's through archival footage and interviews with those involved.
The Apollo (2019)
The history of New York City's Apollo Theater in Harlem is given the full treatment.
32 Sounds (2023)
Explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.
Ryuichi Sakamoto + Alva Noto: The Glass House (2016)
Music live performance of Ryuichi Sakamoto and Alva Noto at the Glass House.
The Winding Stream (2014)
The story of the American music dynasty, the Carters and Cashes, and their decades-long influence on popular music.
SubBerlin - Underground United (2008)
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
IRIS: A Space Opera by Justice (2019)
This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.
Commercial Entertainment Product (1992)
The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.
Europe in 8 Bits (2013)
The stars of Europe's ascendant chip music movement demonstrate the repurposing of old videogame and home computer hardware like Nintendo's GameBoy and NES, Atari's ST, and Commodore's Amiga and C64 into tools by which they have created a new sound, a modern tempo and an innovative musical style.
The Alchemists of Sound (2003)
A documentary about the BBC Radiophonic Workshop, responsible for creating some of the most memorable television and radio music in British popular culture, including "The Hitchhiker's Guide to the Galaxy" and Doctor Who (1963).
Change Itself – An Art Apart: Genesis Breyer P-Orridge (2016)
To sum up the life and work of British artist Genesis Breyer P-Orridge is close to impossible. Not only because of the wide range of artistic disciplines, but also because of the timespan, since the mid 1960s to the present day, that has been saturated by hundreds of records, thousands of concerts, exhibitions, interviews, videos, spoken word performances, collages, sculptures, philosophy, cultural engineering, occultism and radical transgender concepts. A couple of descriptions are still valid after these 50 years of active creativity and provocation. P-Orridge is a romantic existentialist and a cultural engineer. Everything is both work as such and seed for cultural and behavioural change.
Faithless: Passing the Baton - Live From Brixton (2011)
CD duration is 72:46. Live From Brixton Academy 8 April 2011. Approx DVD running time: 137 minutes. DVD9/Picture format 16:9 / NTSC Region 0 Audio: Stereo & 5.1 Surround Sound Comes in a digibook.
The Scientist of Sound (2017)
Thursday 27th of October 2016 – Teatro Espace, Turin. Mulatu Astatke is a musician, composer, arranger and Ethiopia’s cultural ambassador. He’s known as the godfather of ethiojazz, a unique blend of jazz, traditional Ethiopian music, latin, caribbean reggae and afrofunk. Born in 1943 in Jimma, Mulatu studied music not only in Ethiopia but also in UK and USA. In 2005 he contributed to the soundtrack of Jim Jarmusch’s film “Broken Flowers”, reaching a new public worldwide.
The Sound Is Innocent (2019)
As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.