Daybreak, a first-year EDM festival gets hit with inclement weather. As the fear of headliners canceling, attendees demanding refunds, the deeper purpose of the festival becomes clear - but is it enough to save Daybreak?
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Animusic draws you into its reality like no place you have ever been. You encounter new dimensions of sight and sound as you experience seven unique visual concerts. From the robotic laser-precision of Future Retro and rapid-fire ball bearings of Pipe Dream to the serene acoustic beauty of Aqua Harp, each animation is an intricate melding of music and visuals.
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This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
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Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
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