ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.
Raja Bro (2022)
A sensitive heart-warming story of an Indian transman's acceptance, by himself and his family. Merlin, born as a girl, felt right from his childhood that he was trapped in the wrong gender.
Democracy Is ... (2009)
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
Mother Eve (2023)
A family’s difficult but endearing journey that re-defines motherhood: is it through nature or nurture? Yasmine is a young woman forced to raise her 3 younger siblings after being struck with life’s difficult circumstances. Trying to provide for their stability, she begins working random part time jobs to make quick and easy money and is constantly trying to balance between her personal life and work life. This family’s journey is difficult, but it is surely heartwarming. Throughout the film, we discover why Yasmine has to be responsible for her siblings despite her age.
This Time Next Year (2014)
A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.
Moving Memories (NaN)
On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.
Doreen (2024)
A heartfelt look at the life of a wonderful person and the legacy she has left behind, looking into her love, patience, kindness and the grief of her passing.
My Favorite Child (2007)
The story of Dwight Core, Jr. and his family, following up the events of the home documentary "Think of Me First as a Person", shot decades ago by his father Dwight Core, Sr. and portraying the love a boy with Down syndrome shares with his four sisters, but also a heartache common to the era's disabled: leaving home for an institution. The little boy, Dwight Core, Jr., grew into a tall, 48-year-old man who enjoyed coloring and watching television in the living room of the Ocean View section of Norfolk, Virginia home he shared with one of his sisters, Cindy Klingler. In 2007, filmmaker Roger M. Richards brought the story of Dwight Core, Jr. to the present, documenting him as a grown man and the continuing love and devotion of his sisters to their brother.
Picture Proof (2023)
Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.
fifteen zero three nineteenth of january two thousand sixteen (2024)
fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.
Seeing Through the Darkness (NaN)
Carried by an immersive sound environment that plunges us in the reality and the perceptions of these resilient and inspiring people, this film questions our own blindness face to violence and suffering of our time — despite the overabundance of images that reach us — and highlights the urgency of lending an ear to hear these stories.
Dos cipreses (2024)
A double-edged letter in the midst of confinement. Javier starts sending videos to his son to catch him up on his new life. Through these videos, Nico will try to respond to his father.
Stranded: I've Come from a Plane That Crashed on the Mountains (2008)
The story, told by the survivors, of a group of young men, members of a Uruguayan rugby team, who managed to survive for 72 days, at an altitude of almost 4,000 meters, in the heart of the Andes Mountains, after their plane, en route to Chile, crashed there on October 13, 1972.
Not Bad at All (NaN)
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
Supersonic (2016)
Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.
Decoupling 脱钩 (2024)
A "Chinese" father reflects on the changing relationship of China and US during his trip to Beijing to retrieve his 3-year-old "American" daughter who has been stranded because of the recent "decoupling" of the two countries. Born in China and living in the American Midwest, filmmaker Yinan Wang attempts to unpack his own experience of how a transnational migrant family deals with the distress caused by identity, nationalism, and geopolitics.
The End of Suburbia: Oil Depletion and the Collapse of the American Dream (2004)
Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...