"It’s remarkably contagious thinking about how much I’m willing to belong to the ones I love," says Tennis frontwoman Alaina Moore in this beautiful short-film, 'Interiors', which features music from the band’s 'Yours Conditionally’ album, and was created in collaboration with Vinyl Me, Please.
A Mighty Nice Man (2015)
Patricia Highsmith's haunting story of a day in a young girl's life when a kind stranger comes to town.
Ladyboy (2011)
Kristian, who is a transvestite, still lives at home with his mother Emma, because she loves him just the way he is. Life as a transvestite offers many humiliations from the outside world, but with his mom, Kristian feels that he can be himself. Until one day when Emma meets the alcoholic Søren, who does not have the same tolerance...
The Flesh (2010)
A debate arises between Jesus Christ and a beautiful nun about her nightlife and whether the scriptures address any punishment for her sins.
Spheres (1969)
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Alien: Containment (2019)
Aboard a small escape pod, four survivors try to discover what caused the destruction of their spaceship.
Alien: Specimen (2019)
During the night shift in a colony greenhouse, a botanist does her best to contain suspicious soil samples that have alarmed her sensitive lab dog.
Mind Control Made Easy or How to Become a Cult Leader (1999)
Don't you want devoted followers? Helpful tips for luring people into your cult and psychologically manipulating them into devotion to you, and enforcing your powers. A satirical drama.
Clouds of Glass (1958)
A young boy’s infatuation with flight is the subject of Vláčil’s poetic, prize-winning early short, made for the Czechoslovak Army’s film unit.
Red Hot Rock (1984)
Eleven sexy music videos you could never see on television complete and uncensored for the first time.
Antoine and Colette (1962)
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
The Fir Tree (2011)
The story of a Christmas tree is told through the 'voice' of the tree itself. The tree has big ambitions, doing everything it can to grow so tall that it reaches the sky. Featuring extraordinary photography, the film follows the adventures of its life from sapling to maturity. One December day, everything changes when a little boy falls in love with the fir tree.
Montsouris Park (2024)
On a beautiful autumn day, in Montsouris Park in Paris, Jacques and Nathan are looking for interesting people to shoot their documentary. They chance upon Pierre and Martin, two odd dodos about to have an unusual experience.
Wer kann etwas verändern? (2017)
Short film tackling depression and it‘s causes in teenagers and young adults.
X (2016)
Eliza (Breanne Zill) is a head-in-clouds painter struggling with her art, sexuality, and sleep paralysis. She invites cocky painter Claude (Josef Wakeman) over to shake things up but things get strange when he interprets her manic yearnings as an invitation for sex.
Touched (2003)
What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.
Kiss Me (2012)
Kid Vargas is forced to face up to some devastating truths after he kills his opponent in the boxing ring.
Shallow (2012)
When newly elected MP Richard Dove runs over a young girl on a deserted forest road, he must decide to what lengths he will go to save his blossoming career.
Street Musique (1972)
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.