Photos, home videos and especially a series of audios recorded without Julia's consent are the essence of this film that tells the story of a woman who got married despite having many doubts and who never tired of seeking her own happiness.
Gila nunca fue serio (2017)
Miguel Gila (1919-2001) was a Spanish actor and stand-up comedian, famous for his surreal phone conversations with imaginary people, and a skillful cartoonist; an idolized star, a king of laughter.
Phantoms of the Sierra Madre (2024)
A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.
Black Hole Radio (1992)
Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.
A Separation (2014)
A tragicomic documentary that portrays the very last acts of a long marriage. A film about the tentative search for a beginning of what - finally, and unfortunately - is over.
Under Construction (2023)
Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.
Sieben Mulden und eine Leiche (2007)
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
Calling Mother (2019)
Calling Mother is about the moments when you just have to call your mum. It is a compilation of phone calls made by different people to their mothers. Film follows the lifespan of a human being from youth to adulthood, a child changing from a dependent to a caretaker. Phone calls are connected by images of an old telephone center and a story of a young mother who doesn’t have a mother to call.
The Ring Thing (2017)
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
To the Sea (2010)
Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.
Martin Lawrence Live: Runteldat (2002)
The controversial bad-boy of comedy delivers a piercing look at his life, lifting the metaphorical smokescreen that he feels has clouded the public view, commenting on everything from the dangers of smoking to the trials of relationships, and unleashing a nonstop litany of raucous anecdotes, stinging social commentary and very personal reflections about life.
Bombshell: The Hedy Lamarr Story (2018)
The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.
Der entsorgte Vater (2009)
In moving interviews, four fathers describe their suffering and efforts to keep contact with their children. A mother justifies the refusal of contact from her point of view. Despite the seriousness of the topic, the film manages to remain entertaining and even delivers an amusing snapshot of German sensitivities and the state of the Republic.
Synonymous With (2021)
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
The Sound of Identity (2020)
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Erasing Family (2020)
This documentary exposes the failure of family courts to keep children from being used as a weapon after separation. Courts decision ends up completely erasing one parent, causing severe emotional trauma to children. Psychologist refer to extreme cases as parental alienation, which is a form of Child Psychological Abuse. Essentially brainwashing and manipulating children by one parent to hate or despise the other parent. This results in severe psychological damage based on scientific findings, including depression, low self esteem, drug abuse, being alienated from own children and suicide. Family court reform is badly needed, as this is preventable pandemic affecting over 20 million children in the United States (Harman et al).
The Scars (2019)
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?