A panorama of scenic beauty unfolds as the newspaper delivery man works his run along Sydney's northern beaches of Newport and the Palm Beach area.
The Most Australian Band Ever! (2024)
Three ethnic school kids from Sydney's western suburbs form a punk band in the 80s. The Hard-Ons fight racism, the music industry and the rise of grunge with their pop punk noise, irreverent humour and absolute commitment to just being themselves.
Gallipoli from Above (2012)
Gallipoli from Above: The Untold Story is the true story of how a team of Australian officers used aerial intelligence, emerging technology and innovative tactics to plan the landing at Anzac Cove. It is now nearly 100 years since the landing and hundreds of books, movies and documentaries have failed to grasp the significance of the ANZAC achievement. Instead, the mythology has clouded the real story of how these two influential Australian officers took control of the landing using every innovation they could muster to safely land their men on Z beach.
City of Splendour (2013)
A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
Hollywood Rated 'R' (1997)
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
Le regard de Georges Brassens (2013)
An atypical portrait of singer, songwriter, poet Georges Brassens.
Bra Boys (2007)
A film about the cultural evolution of the Sydney beach side suburb of Maroubra and the social struggle faced by it's youth - the notorious surf gang known as the Bra Boys.
Sunshine City (1973)
SUNSHINE CITY is Albie Thom’s sprawling, protoplasmic experimental portrait of his hometown of Sydney. The National Film and Sound Archive of Australia call it “a structured diary film which investigates the process of living in Sydney, which uses a repeating light modulation to intensify experiences of light, heat, colour”.
Seven Years-Journalism without Journalist (2017)
A total of 17 journalists have been fired since 2008, the beginning of LEE Myung-bak’s presidential term. They fought against the companies that they worked for succumbing to power and are now frustrated at reality where censorship of the press by authority has now become a norm. Can they continue their activities as journalists?
Riding Giants (2004)
Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
Coffee Banana Cigarette (2021)
A short documentary about the life and love of New York surf culture following transplanted San Diego surfer, Shawlin Tucker, who forced found a way to bring his passion with him when a college acceptance from New York University summons him to the big apple.
Balnearios (2002)
An album of odd and humorous stories on small places exclusively dedicated to idleness, which are empty in winter and crowded in summer: the spa towns. Cities under water, luxury hotels, mermaids, sea animals, sand castles, people who worship water, praying for health.
Media Mafia: a Tale of Two Newspapers (2021)
The 100 years of history of the Chosun Ilbo and the Dong-A Ilbo show that wrong press can be a social weapon.
The Last of the Nomads (1997)
Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.
Island Home Country (2008)
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
The Beach of Enchaquirados (2021)
Vicky is fisherman by day and bar owner at night. When she was a little boy her dream was to be a radio soap opera star, nowadays she dreams of falling in love again. How is it possible that a small, barren place in the third world has managed to achieve this special form of freedom and tolerance?
René Goscinny, Our Uncle From Armorica (2017)
The career of French comic author René Goscinny was a living blend of cultures and an expression of the great importance this artist attached to the production and dissemination of sophisticated popular culture. Goscinny left behind an extremely extensive body of work: "Asterix", "Lucky Luke", "Isnogud", "Little Nick" and many more.
Eastbourne: Sun Trap of the South (1966)
Charming 60s travelogue inviting us to enjoy the delights of Eastbourne, where the sun always shines!
Bring Out a Briton (1957)
‘Bring Out a Briton’ was a short appeal for Australians to help the Immigration Department in its plan to form and assist a ‘Bring Out a Briton’ Committee in each district. It featured popular Australian actor Chips Rafferty as the spokesman for the campaign. Aimed at the Australian public rather than the prospective immigrants it was designed to allay a perceived anxiety amongst the public about non-British European migration.