Documentary about the kolla people living in North Western Argentina.
Baraka (1992)
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
Foster Child (1987)
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
Yellowtail (NaN)
Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.
Todxs somos López. Donde empieza la vida y termina la muerte (2017)
A chronicle on the days without Jorge Julio López, key witness and complainant on the first trial on genocide in Argentina, dated in 2006. López, who had survived through concentration camps on the late seventies argentinian dictatorship, disappeared for the second time the day the court decision meant to condemn his kidnappers was about to be read.
Hasta el fin de Delfín (2018)
A few years ago the indigenous musician Delfín Quishpe uploaded a video clip on YouTube of his song Torres Gemelas without imagining the impact it would have. For some, the video was strange and in bad taste, however his charisma and his lyrics made him a celebrity. After ten years, Delfín still has not overcome the hangover of fame and now he struggles not to turn off the magic of his music, in a world of ephemeral stars in the digital age.
No Word For Worry (2014)
As a sea nomad, Hook grew up with the ocean as his universe. Now he must make a courageous voyage to salvage the remains of his dying culture
Le cortège de la mi-carême fait sa sortie annuelle (1913)
Short documentary on a carnival procession.
Territoires, alliances et autres métissages (2022)
By retracing the mixed heritage of First Nations peoples and Quebecers, painting a modern portrait, and sketching a human geography, this film helps us (re)discover the beauty and strength of our common territory: the Americas.
Memória em Verde e Rosa (2016)
The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.
Pākiri: The Filmmaker, the Cook & the Singer (1999)
As the name of this short film promises, a filmmaker (Merata Mita), a cook (Anne Thorp) and a singer (Moana Maniapoto) sit down for an interview at Pākiri beach. With a focus on their personal lives, these highly accomplished wahine Māori are generous in sharing what motivates and challenges them in their mahi — with friendship a recurring theme. Filmed a year after the disbanding of her group Moana and the Moahunters, Maniapoto is particularly vulnerable in her reflections. The film was made by Honours student Sam Cruickshank as part of a Film and Media Studies degree at Auckland University.
Forests (2022)
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
Indian Time (2016)
The title Indian Time seeks to reverse the stereotypical expression associated with ‘’being late’’ in order to present the indigenous viewpoint of their relationship with time, territories, people and objets proper to the First Nations, thus launching the spectator into this ‘’Indian Time’’ with fresh eyes and an open heart. Captured over a period of five years within 18 communities, INDIAN TIME is a personal and current portrayal of the 11 Aboriginal nations of Québec, where some forty people take turns speaking, allowing for exceptional encounters and immersing the viewer - eyes and heart - in this "Indian Time".
Heat (2018)
Too hot! The spawning fish do not come at the right time and the pepper plants end up dying in this heat. "This is a very different weather that not even the spirits can understand." From their gardens, homes, and backyards, the indigenous women of the Amazon involve us in their vast universe of knowledge while they observe the impacts of climate change in their ways of life.
Powerlands (2022)
A young Navajo filmmaker investigates displacement of Indigenous people and devastation of the environment caused by the same chemical companies that have exploited the land where she was born. On this personal and political journey she learns from Indigenous activists across three continents.