Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
Lost in Tunisia (2016)
After the elections that followed the Tunisian revolution, as well as the violence that shook the country, an author seeks to make a film on women's issue in his motherland. He makes his questioning the subject of his film and starts a journey.
Fahrenheit 9/11 (2004)
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
Iran: The Hundred Year War (2009)
What kind of world power is Iran becoming, and how will Western countries deal with it?
Scenes For A Revolution (1991)
The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.
La Brigada – A Mural for the Unidad Popular in Dresden (1976)
During the 16th Workers' Festival in Dresden in 1976, a student group of Chilean emigrants paints a mural symbolically depicting the activity of the Unidad Popular during Salvador Allende's reign. Festival guests comment on this work. Music by Chilean music group Jaspampa, formed in Leipzig in 1972.
Point and Shoot (2014)
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.
Jeunesse Rouge: The Story of Young Communist Revolutionaries in France (2023)
"Jeunesse Rouge" is a documentary exploring young French Communist revolutionaries fighting for a just and equal society. The film follows their organizing and mobilizing, while delving into the history of the Communist movement in France. Archival footage and interviews with activists show their passionate commitment, from protests and strikes to political education. It highlights the power of youth activism and their potential to bring about change in the face of systemic inequality.
Steal This Film II (2007)
These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?
Charles Gagnon (1970)
Documentary about Charles Gagnon, Québécois politician, FLQ member and communist leader.
Binxet - Under the border (2017)
“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.
The Dawsonians (NaN)
During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”
Living the Utopia (1997)
A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.
1848 (1950)
The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.
Working for the Enemy (1997)
Sean McAllister's bleak, extraordinarily intimate film offers an insight into the lives of 35 year old Kevin, who hasn't worked in 18 years, and his 19 year old girlfriend Robbie, who earns 70 pounds a week as a seamstress.
The Houses Are Full of Smoke (1987)
A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.
The Hugo Chavez Show (2008)
Frontline examines Venezuelan president Hugo Chávez chronicling his rise to power and offering insights into his personality, policies and his shrewd use of the media.
Terror! Robespierre and the French Revolution (2009)
In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" - claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee Of Public Safety - the powerful state machine at the heart of Revolutionary France. Contesting Robespierre's legacy is Slavoj Zizek, who argues that terror in the cause of virtue is justifiable, and Simon Schama, who believes the road from Robespierre ran straight to the gulag and the 20th-century concentration camp. The drama, based on original sources, follows the life-and-death politics of the Committee during "Year Two" of the new Republic.