Turbonegro, an unapologetic punk band that plays with homoerotic and otherwise provocative symbolism, gave the world the middle finger in their early days and started their own fan club during one drug-fuelled night in '95 as a joke. What the f*ck? Unpredictable and absurd band quickly earned the respect of even the most notorious black metal bands in Norway. Everyone knows about Kiss Army, but what is the mythical fleet unleashed by Turbonegro, provocatively known as Turbojugend, that has grown into a worldwide phenomenon? At the heart of Turbonegro fandom is love and brotherhood, regardless of age, colour or gender. The Turbojugend really know how to have fun and the highlight of the year is the Weltturbojugendtage event held at the Reeperbahn, where Turbonegro members themselves often join in the celebrations.
Crash 'n' Burn (1977)
Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
Not Bad for a Girl (1995)
A documentary on women musicians of the 1990s from the indie rock music genre, grunge and riot grrrl including Hole, Babes in Toyland, L7 and more.
Last Fast Ride: The Life, Love and Death of a Punk Goddess (2011)
Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.
Jongens van de Landbouwschool (2007)
Documentary about the Dutch punkband 'De Klojos'. and it sucks bigtime
There Is No Authority But Yourself (2006)
A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.
Pussy Versus Putin (2013)
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Dead Kennedys: Fresh Fruit for Rotting Eyeballs (2005)
Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album. Jello Biafra's 1979 run for mayor is also highlighted.
City of Splendour (2013)
A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
UK/DK: A Film About Punks and Skinheads (1983)
Featuring interviews, live concert footage, and a feature on how punk was transformed from a trend to a way of life, UK/DK is a comprehensive look at the skinhead/punk movement. Some of the most notorious bands on the scene are featured, including The Exploited, The Vice Squad, The Adicts and many more.
Who Killed Nancy? (2009)
On October 12th, 1978, New York Police discovered the lifeless body of a young woman, slumped under the bathroom sink in a hotel room. She was Nancy Spungen, an ex-prostitute, sometimes stripper, heroin addict, and girlfriend of Sex Pistols' bassist Sid Vicious.
Green Day: The Early Years (2017)
"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.
Jyväskylän meininki: A Punk Documentary (2016)
Documentary on the punk scene in the city of Jyväskylä, Finland.
Punk: Attitude (2005)
A documentary on the music, performers, attitude and distinctive look that made up punk rock.
Dead Kennedys: DMPO's on Broadway (1985)
This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.
The Fall: The Wonderful and Frightening World of Mark E. Smith (2005)
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
Instrument (1999)
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.